MENU   

Bad Girls and Transgressive Women in Popular Television, Fiction, and Film

Sous la direction de et

Type
Essays
Sujet
Mots Clés
women, transgression
Année d'édition
Editeur
Palgrave MacMillan
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover305 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-3-319-47258-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This collection of essays focuses on the representations of a variety of “bad girls”―women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them―in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a largercontext, entering into ongoing debates about power, equality, sexuality, and gender.

À propos des auteurs :
Julie A. Chappell is Professor of English at Tarleton State University, USA. Her writing has focused primarily on women’s lives and texts from the fourteenth to the eighteenth centuries. She is author or co-editor of many books of scholarship as well as original poetry, including the monograph Perilous Passages: The Book of Margery Kempe, 1534-1934. Mallory Young, Professor of English at Tarleton State University, USA, has published work on a wide variety of subjects, including European women’s films and popular representations of Marie Antoinette. She is co-editor of Chick Lit: The New Woman’s Fiction and Chick Flicks: Contemporary Women at the Movies.

Voir le

> Des mêmes auteurs :

Chick Flicks:Contemporary Women at the Movies

(2007)

Contemporary Women at the Movies

Dir. et

Sujet :

> Sur un thème proche :

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. et

Sujet :

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

de

Sujet :

Working Women on Screen:Paid Labour and Fourth Wave Feminism

(2025)

Paid Labour and Fourth Wave Feminism

Dir. , et

Sujet :

Sacred Sisterhoods:A Celebration of Black Women's Friendships on Television and in Film

(2025)

A Celebration of Black Women's Friendships on Television and in Film

Dir.

Sujet :

It's All in the Delivery:Pregnancy in American Film and Television Comedy

(2024)

Pregnancy in American Film and Television Comedy

de

Sujet :

Women and Home in Cinema:Form, Feeling, Practice

(2024)

Form, Feeling, Practice

de

Sujet :

Sustainable Resilience in Women's Film and Video Organizations:A Counter-Lineage in Moving Image History

(2024)

A Counter-Lineage in Moving Image History

de

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info