Homosexuality and Italian Cinema

From the Fall of Fascism to the Years of Lead

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by Mauro Giori

Type

Essays

Subject

Countries > Italy

Keywords

Italy, homosexuality

Publishing date

2017

Publisher

Palgrave MacMillan

Language

English

Relative size

Physical desc.

Hardcover • 288 pages
6 x 8 ¼ inches (15 x 21 cm)

ISBN

978-1-137-56592-1

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Book Presentation:
This book is the first to establish the relevance of same-sex desires, pleasures and anxieties in the cinema of post-war Italy. It explores cinematic representations of homosexuality and their significance in a wider cultural struggle in Italy involving society, cinema, and sexuality between the 1940s and 1970s. Besides tracing the evolution of representations through both art and popular films, this book also analyses connections with consumer culture, film criticism and politics. Giori uncovers how complicated negotiations between challenges to and valorization of dominant forms of knowledge of homosexuality shaped representations and argues that they were not always the outcome of hatred but also sought to convey unmentionable pleasures and complicities. Through archival research and a survey of more than 600 films, the author enriches our understanding of thirty years of Italian film and cultural history.

About the Author:
Mauro Giori is Assistant Professor at Università degli Studi di Milano, Italy. His most recent books include Scandalo e banalità (2012) and Nell’ombra di Hitchcock (2015).

Press Reviews:
"The book sounds like it will adopt a historicist approach that reads Italian films in terms of ‘positive’ and ‘negative’ images of homosexuality. … One of the strengths of this highly readable, often witty book is precisely the author’s flexibility of approach. … Giori’s book is a valuable contribution to a growing body of work in Queer Italian Studies." (John Champagne, gender / sexuality / Italy, Vol. 6, 2019)

See the publisher website: Palgrave MacMillan