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Realism, Myth, and the Vernacular in Pasolini's Film and Philosophy

Beyond the Middle-Class Matrix

by

Type
Essays
Subject
Director
Keywords
Pier Paolo Pasolini, myth
Publishing date
Publisher
Palgrave MacMillan
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover158 pages
5 ¾ x 8 inches (14.5 x 20 cm)
ISBN
978-3-031-63466-6
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Book Presentation:
Pier Paolo Pasolini’s lifework has been studied through the lens of queer studies, film studies, poetry, and many other angles, but there are themes that one could still study. This book aims to bring forth a new understanding of Pasolini as someone who worked in various arts, and through appropriating one art with. Max Ryynänen shows Pasolini’s importance for not just film and film theory, but more broadly visual studies, art research and even cultural philosophy – where Pasolini can be seen to be a real pioneer in discussing unprivileged margins in the society. Ryynänen reads Pasolini not just as a semiotician of film, but also as a cultural philosopher, and argues for that interpretation.

About the Author:
Max Ryynänen is Senior Lecturer of Theory of Visual Culture at Aalto University, Finland.

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See the Pier Paolo Pasolini on the website: IMDB ...

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