MENU   

The Modern Supernatural and the Beginnings of Cinema

de

Type
Studies
Sujet
Mots Clés
early cinema, esotericism, ghosts
Année d'édition
Editeur
Palgrave MacMillan
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback221 pages
6 x 8 ¼ inches (15 x 21 cm)
ISBN
978-1-349-84456-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. The Modern Supernatural and the Beginnings of Cinema locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, it also engages with the representations of cinema’s ghostly past in Guy Maddin’s recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film.

À propos de l'auteur :
Murray Leeder teaches Film Studies at the University of Calgary, Canada, and holds a PhD from Carleton University. He is the author of Horror Film: A Critical Introduction (forthcoming) and Halloween (2014) and editor of Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era (2015).

Revue de Presse:
"The Modern Supernatural and the Beginnings of Cinema is a cornucopia of ideas, arguments and images both scrupulously well researched and highly readable. This original exploration of film history makes for one of the most pleasurable books I’ve read in 2017." (Alan Price, The Magonia Blog, pelicanist.blogspot.de, April 05, 2019)

Voir le

> Du même auteur :

> Sur un thème proche :

Finding Birt Acres:The Rediscovery of a Film Pioneer

(2025)

The Rediscovery of a Film Pioneer

de , et

Sujet :

Velvet Curtains and Gilded Frames:The Art of Early European Cinema

(2025)

The Art of Early European Cinema

de

Sujet :

What Made Cinema?:Essays on Visual Culture and Early Film

(2025)

Essays on Visual Culture and Early Film

de

Sujet :

Screening Europe in Australasia:Transnational Silent Film Before and After the Rise of Hollywood

(2024)

Transnational Silent Film Before and After the Rise of Hollywood

de

Sujet :

Round our way:Sam Hanna's visual legacy

(2024)

Sam Hanna's visual legacy

de

Sujet :

Transnational Trailblazers of Early Cinema:Sarah Bernhardt, Gabrielle Réjane, Mistinguett

(2023)

Sarah Bernhardt, Gabrielle Réjane, Mistinguett

de

Sujet :

How the Movies Got a Past:A Historiography of American Cinema, 1894-1930

(2023)

A Historiography of American Cinema, 1894-1930

de

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info