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Women Filmmakers in Contemporary Hindi Cinema

Looking through their Gaze

Edited by

Type
Essays
Subject
Countries
Keywords
Hindi cinema, women
Publishing date
Publisher
Palgrave MacMillan
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover345 pages
5 ¾ x 8 ¼ inches (14.5 x 21 cm)
ISBN
978-3-031-10231-8
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Book Presentation:
This book is a comprehensive anthology comprising essays on women film directors, producers and screenwriters from Bollywood, or the popular Hindi film industry. It derives from the major theories of modernity, postmodern feminism, semiotics, cultural production, and gender performativity in globalized times. The collection transcends the traditional approaches of looking at films made by women filmmakers as ‘feminist’ cinema, and focuses on an extraordinary group of women filmmakers like Ashwini Iyer Tiwari, Bhavani Iyer, Farah Khan, Mira Nair Vijaya Mehta, and Zoya Akthar. The volume will be of interest to academics and theorists of gender and Hindi cinema, as well as anybody interested in contemporary Hindi films in their various manifestations.

About the Author:
Aysha Iqbal Viswamohan is Professor, Dept of HSS, IIT Madras, India. Her edited anthologies comprise Stardom in Contemporary Hindi Cinema: Celebrity and Fame in Globalized Times (2020), Behind the Scenes: Contemporary Bollywood Directors (2017) and Post-liberalization Indian Novels in English: Global Reception & Politics of Award (2013).

Press Reviews:
"Despite being central to any Bollywood potboiler worth its salt, women rarely feature in critical thinking about Hindi films. Addressing women as directors, scriptwriters, and producers, Women Filmmakers in Contemporary Hindi Cinema opens up many doors for us to walk through. On women. By women. But not only for women." (Madhavi Menon, Professor of English Director, Centre for Studies in Gender and Sexuality, Ashoka University, India​)

"Over the last three decades, the Bombay film industry has witnessed a significant rise in the numbers of women who, in different professional capacities, have contributed to the creation of films for theatrical release and streaming platforms. This anthology invites a range of scholars to reflect on this moment. The outcome is rich with ideas that promise to inspire a new set of conversations." (Shohini Ghosh, Sajjad Zaheer Professor, AJK Mass Communication Research Centre, Jamia Millia Islamia)

See the

> From the same author:

Stardom in Contemporary Hindi Cinema:Celebrity and Fame in Globalized Times

(2020)

Celebrity and Fame in Globalized Times

Dir. and

Subject: Countries >

Behind the Scenes:Contemporary Bollywood Directors and Their Cinema

(2017)

Contemporary Bollywood Directors and Their Cinema

Dir. and

Subject: Countries >

> On a related topic:

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

(2024)

Empowerment and Agency in Contemporary Indian Cinema

by and

Subject: Countries >

Bollywood's New Woman:Liberalization, Liberation, and Contested Bodies

(2021)

Liberalization, Liberation, and Contested Bodies

Dir. and

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Scripting Bollywood:Candid Conversations with Women Who Write Hindi Cinema

(2021)

Candid Conversations with Women Who Write Hindi Cinema

by

Subject: Countries >

Dancing Women:Choreographing Corporeal Histories of Hindi Cinema

(2020)

Choreographing Corporeal Histories of Hindi Cinema

by

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Changemakers:Twenty women transforming Bollywood behind the scenes

(2018)

Twenty women transforming Bollywood behind the scenes

by

Subject: Countries >

Her Majestic Voice:South Indian Female Playback Singers and Stardom, 1945-1955

(2016)

South Indian Female Playback Singers and Stardom, 1945-1955

by

Subject: Countries >

Wanted Cultured Ladies Only!:Female Stardom and Cinema in India, 1930s-1950s

(2009)

Female Stardom and Cinema in India, 1930s-1950s

by

Subject: Countries >

Listening With a Feminist Ear:Soundwork in Bombay Cinema

(2023)

Soundwork in Bombay Cinema

by

Subject: Technique >

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