Film and Counterculture in the 2011 Egyptian Uprising
by Amir Taha
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
See the publisher website: Palgrave MacMillan
> On a related topic:
Filming Modernity and Islam in Colonial Egypt (2025)
Subject: Countries > Middle East
Understanding the Public Sector in Egyptian Cinema (2024)
A State Venture
Subject: Countries > Middle East
Representations of Palestine in Egyptian Cinema (2023)
Politics of (In)visibility
Subject: Countries > Middle East
Egypt 1919 (2022)
The Revolution in Literature and Film
by Dina Heshmat
Subject: Countries > Middle East
Egyptian Cinema and the 2011 Revolution (2020)
Production, Censorship and Political Economy
by Ahmed Ghazal
Subject: Countries > Middle East
Film as the Final Print of History (2019)
The Portrayal of Women in Egyptian Cinema's Glorious Eras
by Dina A. Mahmoud and Swapna Koshy
Subject: Countries > Middle East