Abel Gance and the End of Silent Cinema

Sounding out Utopia

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de Paul Cuff

Type

Studies

Sujet

One Film > La Fin du monde

Mots Clés

Abel Gance, silent cinema

Année d'édition

2018

Editeur

Palgrave MacMillan

Langue

anglais

Taille du livre

Format

Paperback • 273 pages
6 x 8 ¼ inches (15 x 21 cm)

ISBN

978-3-319-81754-5

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Description de l'ouvrage:
This book explores the creation and destruction of Abel Gance’s most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France’s most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance’s first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director’s inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance’s transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transformcinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance’s lost cinematic utopia.

À propos de l'auteur :
Paul Cuff is an Associate Fellow in the Department of Film and Television Studies, University of Warwick, UK. He has produced work on Abel Gance, Sherlock Holmes, Buster Keaton, and Spike Milligan. His first monograph, A revolution for the screen: Abel Gance’s ‘Napoléon’, was published in 2015.

Voir le site internet de l'éditeur Palgrave MacMillan

Voir la fiche de La Fin du monde (1931) sur le site IMDB ...