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Alain Resnais

by

Type
Studies
Subject
DirectorAlain Resnais
Keywords
Alain Resnais
Publishing date
Publisher
Manchester University Press
Collection
French Film Directors
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover240 pages
5 ¼ x 8 inches (13.5 x 20.5 cm)
ISBN-10
ISBN-13
0-7190-6406-6
978-0-7190-6406-7
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Book Presentation:
Alain Resnais, director of Hiroshima Mon Amour and L'Année Derniere à Marienbad, has transformed the representation of memory, fantasy and desire in modern cinema. This illuminating new introduction to his work, extending from his earliest documentaries to the musical films of the last decade, traces the evolving patterns of his filmmaking, its changing reflections on mortality, guilt, chance and human doubt. Exploring questions of the time-image, of trauma, of the senses, this volume sets Resnais's films in the context of important current debates in film theory, and provides a concise account of critical discussions of his work in France and beyond.

About the Author:
Emma Wilson is Reader in Contemporary French Literature and Film at Corpus Christi College, Cambridge

See the

See the complete filmography of Alain Resnais on the website: IMDB ...

> Books with the same or similar title:

> From the same author:

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The Ethnographic Optic:Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

(2024)

Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema

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Subject: Countries > France

Haunting the Left Bank:Mortality and Intersubjectivity in Varda, Resnais and Marker

(2022)

Mortality and Intersubjectivity in Varda, Resnais and Marker

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Subject: Theory

Night and Fog:A Film in History

(2014)

A Film in History

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Concentrationary Cinema:Aesthetics as Political Resistance in Alain Resnais's Night and Fog

(2014)

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

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Subject: One Film > Night and Fog

Where Film Meets Philosophy:Godard, Resnais, and Experiments in Cinematic Thinking

(2013)

Godard, Resnais, and Experiments in Cinematic Thinking

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Subject: History of Cinema

Black and Blue:The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

(2012)

The Bruising Passion of Camera Lucida, La Jetée, Sans Soleil, and Hiroshima Mon Amour

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Subject: Theory

Uncovering the Holocaust:The International Reception of Night and Fog

(2006)

The International Reception of Night and Fog

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Subject: One Film > Night and Fog

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