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New Soviet Man
Gender and Masculinity in Stalinst Soviet Cinema
by John Haynes
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Book Presentation:
Cinema has long been recognised as the privileged bridge between Soviet ideologies and their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but, not surprisingly, men too were expected to play their part. In this first full-length study of masculinity in Stalinist Soviet cinema, John Haynes examines the 'New Soviet Man' not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context.
A detailed analysis of Stalinist discourse sets the stage for an examination of the imagined relationship between the patriarch Stalin and his 'model sons' in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, New Soviet Man draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of, and the inherent potential for subversion within, films produced by the Stalinist culture industry.
New Soviet Man will be widely read by students and specialists in the fields of film studies, Russian and Soviet studies, gender and modern European history.
About the Author:
John Haynes is Lecturer in Film Studies in the Department of History at the University of Essex
See the publisher website: Manchester University Press
> From the same author:
Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 (2017)
Re-Visions
Dir. Sanja Bahun and John Haynes
Subject: Countries > Russia / USSR
> On a related topic:
Stalinist Cinema and the Production of History (2008)
Museum of the Revolution
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Men Out of Focus (2021)
The Soviet Masculinity Crisis in the Long Sixties
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Stalinism and Soviet Cinema (2011)
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Yellow Crocodiles and Blue Oranges (2005)
Russian Animated Film since World War II
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The Red Screen (1992)
Politics, Society, Art in Soviet Cinema
Dir. Anna Lawton
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Stalin's Final Films (2024)
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A Siberian History of Soviet Film (2024)
Manufacturing Visions of the Indigenous Peoples of the North
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Soviet Films of the 1970s and Early 1980s (2023)
Conformity and Non-Conformity Amidst Stagnation Decay
Dir. Marina Rojavin and Tim Harte
Subject: Countries > Russia / USSR
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