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The Dolby Era

Film Sound in Contemporary Hollywood

de

Type
Studies
Sujet
Technique
Mots Clés
sound, modernism
Année d'édition
Editeur
Manchester University Press
Collection
Inside Popular Film
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback224 pages
5 ½ x 8 ¾ inches (14 x 22 cm)
ISBN-10
ISBN-13
0-7190-7067-8
978-0-7190-7067-9
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Description de l'ouvrage:
Since the 1970s Hollywood cinema has been the site of remarkable developments in film sound. New revolutionary sound technologies have been developed, a new generation of filmmakers have learned to use them as powerful storytelling tools, and audiences have enjoyed a different way of experiencing films, both theatrically and at home.

For the first time, through historical analysis and interviews with key players, such as Ray Dolby (founder and creator of Dolby Laboratories), Ioan Allen (the initiator of the Dolby Stereo programme), sound designer Gary Rydstrom (Titanic, Terminator 2, Toy Story, Saving Private Ryan, Finding Nemo), and supervising sound editor Bruce Stambler (The Fugitive, Batman Forever, Clear and Present Danger, The Fast and the Furious, XXX) this book aims at providing a substantial account of sound in contemporary Hollywood cinema since the early 1970s. Film enthusiasts and students alike will find this book provides an alternative take on Hollywood cinema to the traditional image-biased approach.

À propos de l'auteur :
Gianluca Sergi is Lecturer in Film Studies at the University of Nottingham

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