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Wartime cinema, Englishness and propaganda

Michael Powell and the ‘Pressburger Touch'

by Ina Habermann

Type
Essays
Subject
DirectorMichael Powell, Emeric Pressburger
Keywords
Michael Powell, Emeric Pressburger, war, 1940s, propaganda
Publishing date
2025 (September 30, 2025) (Upcoming)
Publisher
Manchester University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 336 pages
6 x 9 ¼ inches (15 x 23.5 cm)
ISBN
978-1-5261-7950-0
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Book Presentation:
This book provides a fresh analysis of the wartime work of Michael Powell and Emeric Pressburger and their team ‘the Archers’. It argues that in their earlier work, Powell and Pressburger should be seen as middlebrow storytellers whose stories explore national identity in times of war. Their wartime work is discussed in four phases: the first phase covers their contributions to the ‘phoney war’, the second traces their engagement with the ‘people’s war’. The third phase sees the Archers move beyond propaganda, towards memodramas of Englishness. The fourth phase dramatizes post-war preoccupations with an increasing focus on memory and trauma. The book also looks at Pressburger’s later work, including his two published novels Killing a Mouse on Sunday and The Glass Pearls.

About the Author:
Ina Habermann is Professor of English Literature at the University of Basel

See the publisher website: Manchester University Press

See the complete filmography of Michael Powell on the website: IMDB ...

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