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Screening the Paris Suburbs

From the Silent Era to the 1990s

Edited by Philippe Met and Derek Schilling

Type
Studies
Subject
CountriesFrance
Keywords
France, locations, city
Publishing date
2018
Publisher
Manchester University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 248 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-5261-0685-8
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Book Presentation:
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.

About the authors:
Philippe Met is Professor of French and Cinema Studies at the University of Pennsylvania Derek Schilling is Professor of French at Johns Hopkins University

Press Reviews:
'This edited volume is an important contribution to conceptions of geography and French cinema. The fifteen contributions address the banlieue in film as geographic suburb and mise-en-scène that is both incidental landscape and elemental context for cinematic storytelling. Overall, the volume demonstrates how notions of banlieue cinema allow us to reconsider well-known French interwar and postwar films with an awareness of the postcolonial and hip-hop discourses that have over-coded an underlying historical context. The richness of this approach lies in how it foregrounds spatial dynamics within the Hexagon, or metropolitan France, as supplemented by longstanding histories of migration and regional idioms [...] A wide range of perspectives thus describe and reconsider the "space of periphery" in French cinema.'
Peter J. Bloom, University of California, H-France Review, Vol. 19 (2019)

See the publisher website: Manchester University Press

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