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Intersections
Writings on cinema
by Sam Rohdie
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Book Presentation:
Comprised of fourteen chapters, the book opens with studies of Louis Feuillade, Jean Painlevé, Jean Vigo and Georges Franju. In each case the author finds original points of reference and cross-reference to other film-makers, and visual artists, particularly within modernism. Successful as free-standing short essays on their subject, the chapters also situate the work of these film-makers less within the context of French cinema history, than within other cinema histories and intellectual traditions. This is an important gesture both in terms of the general architecture of the book, and in terms of its commitment to reclaiming the work of these figures for a wide community of film and cinema studies teachers, students, and enthusiasts, particularly those interested in developing (or disagreeing with!) alternative approaches to the history and language of cinema. Undoubtedly, Intersections is a provocative and challenging read, but that does not make it any less urgent or necessary.
About the Author:
Sam Rohdie is Professor of Cinema Studies in the Department of Film at the University of Central Florida.
See the publisher website: Manchester University Press
> From the same author:
Rocco and His Brothers (2020)
(Rocco E I Suoi Fratelli)
by Sam Rohdie
Subject: One Film > Rocco and His Brothers
Rocco and His Brothers (1993)
(Rocco e i suoi fratelli)
by Sam Rohdie
Subject: One Film > Rocco and His Brothers
> On a related topic:
Cinema for French Conversation (2022)
Le cinéma en cours de français
Reframing Remembrance (2021)
Contemporary French Cinema and the Second World War
Intermedial Dialogues (2021)
The French New Wave and the Other Arts
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