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Editeur: Amsterdam University Press - collection : Film Culture in Transition (95 livres)

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Ordre de tri :

•  Essays (21)    •  Studies (73)    •  Stories (1)

•  Essays (0)    •  Studies (0)    •  Stories (0)

•  Essays (21 livres)(0 livre)

The Sensory Child of Contemporary Cinema:Sight, Sound, Touch

(2026)

Sight, Sound, Touch

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Post-Yugoslav Cinema and the Shadows of War:A Study of Non-Representation in Film

(2025)

A Study of Non-Representation in Film

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Caro and Jeunet:Crafting French Cinema

(2025)

Crafting French Cinema

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Planetary Cinema:Film, Media and the Earth

(2021)

Film, Media and the Earth

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Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz

(2021)

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Realist Cinema as World Cinema:Non-Cinema, Intermedial Passages, Total Cinema

(2020)

Non-Cinema, Intermedial Passages, Total Cinema

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Collection : Film Culture in Transition

Sujet : Countries >

Towards a Political Aesthetics of Cinema:The Outside of Film

(2020)

The Outside of Film

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Ephemeral Cinema Spaces:Stories of Reinvention, Resistance and Community

(2020)

Stories of Reinvention, Resistance and Community

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The Digital Image and Reality:Affect, Metaphysics and Post-Cinema

(2019)

Affect, Metaphysics and Post-Cinema

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Mysteries of Cinema:Reflections on Film Theory, History and Culture 1982-2016

(2018)

Reflections on Film Theory, History and Culture 1982-2016

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The Webcam as an Emerging Cinematic Medium

(2018)

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Collection : Film Culture in Transition

Sujet : Technique >

Cinema and Narrative Complexity:Embodying the Fabula

(2017)

Embodying the Fabula

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Cinema's Baroque Flesh:Film, phenomenology and the art of entanglement

(2016)

Film, phenomenology and the art of entanglement

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Improvising Cinema

(2014)

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Mapping the Moving Image:Gesture, Thought and Cinema circa 1900

(2010)

Gesture, Thought and Cinema circa 1900

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Film Festivals:From European Geopolitics to Global Cinephilia

(2008)

From European Geopolitics to Global Cinephilia

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Moving Forward, Looking Back:The European Avant-garde and the Invention of Film Culture, 1919-1939

(2007)

The European Avant-garde and the Invention of Film Culture, 1919-1939

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Collection : Film Culture in Transition

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Film Remakes as Ritual and Disguise:From Carmen to Ripley

(2007)

From Carmen to Ripley

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Camera Obscura, Camera Lucida:Essays in Honor of Annette Michelson

(2003)

Essays in Honor of Annette Michelson

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Micropolitics of Media Culture:Reading the Rhizomes of Deleuze and Guattari

(2001)

Reading the Rhizomes of Deleuze and Guattari

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The Film Spectator:From Sign to Mind

(1995)

From Sign to Mind

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•  Studies (73 livres)(0 livre)

Precarity in Western European Cinema

(2025)

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African Media in an Age of Extraction:Nollywood Geographies

(2025)

Nollywood Geographies

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Non-Fiction Cinema in Postwar Europe:Visual Culture and the Reconstruction of Public Space

(2024)

Visual Culture and the Reconstruction of Public Space

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New Approaches to Ernst Lubitsch:A Light Touch

(2024)

A Light Touch

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Films That Work Harder:The Circulation of Industrial Film

(2023)

The Circulation of Industrial Film

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How Film Histories Were Made:Materials, Methods, Discourses

(2023)

Materials, Methods, Discourses

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Performative Images:A Philosophy of Video Art Technology in France

(2023)

A Philosophy of Video Art Technology in France

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Finance and the World Economy in Weimar Cinema

(2023)

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Film Societies in Germany and Austria 1910-1933:Tracing the Social Life of Cinema

(2023)

Tracing the Social Life of Cinema

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Epistolary Entanglements in Film, Media and the Visual Arts

(2023)

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The Aesthetics and Politics of Cinematic Pedestrianism:Walking in Films

(2022)

Walking in Films

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Hands on Film:Actants, Aesthetics, Affects

(2022)

Actants, Aesthetics, Affects

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Screening the Art World

(2022)

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Post-War Industrial Media Culture in Sweden, 1945-1960:New Faces, New Values

(2021)

New Faces, New Values

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Labour in a Single Shot:Critical Perspectives on Antje Ehmann and Harun Farocki's Global Video Project

(2021)

Critical Perspectives on Antje Ehmann and Harun Farocki's Global Video Project

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The Red Years of Cahiers du Cinéma (1968-1973):Volume I, Ideology and Politics

(2021)

Volume I, Ideology and Politics

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Collection : Film Culture in Transition

Sujet : On Films >

The Red Years of Cahiers du Cinéma (1968-1973):Volume II, Aesthetics and Ontology

(2021)

Volume II, Aesthetics and Ontology

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Sujet : On Films >

Moving Pictures and Renaissance Art History

(2021)

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Advertising and the Transformation of Screen Cultures

(2021)

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Film Phenomenology and Adaptation:Sensuous Elaboration

(2021)

Sensuous Elaboration

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Special Effects and German Silent Film:Techno-Romantic Cinema

(2021)

Techno-Romantic Cinema

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German Cinema in the Age of Neoliberalism

(2021)

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Theorizing Film Through Contemporary Art:Expanding Cinema

(2020)

Expanding Cinema

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Disaster Cinema in Historical Perspective:Mediations of the Sublime

(2020)

Mediations of the Sublime

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Beyond the Essay Film:Subjectivity, Textuality and Technology

(2020)

Subjectivity, Textuality and Technology

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LGBTQ Film Festivals:Curating Queerness

(2020)

Curating Queerness

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Danièle Huillet, Jean-Marie Straub:Objectivists in Cinema

(2020)

Objectivists in Cinema

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Neorealist Film Culture, 1945-1954:Rome, Open Cinema

(2019)

Rome, Open Cinema

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The Work of Terrence Malick:Time-Based Ecocinema

(2019)

Time-Based Ecocinema

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The Uncanny Child in Transnational Cinema:Ghosts of Futurity at the Turn of the Twenty-first Century

(2018)

Ghosts of Futurity at the Turn of the Twenty-first Century

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Film Serials and the American Cinema, 1910-1940:Operational Detection

(2018)

Operational Detection

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Late Bresson and the Visual Arts:Cinema, Painting and Avant-Garde Experiment

(2018)

Cinema, Painting and Avant-Garde Experiment

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Futurist Cinema:Studies on Italian Avant-garde Film

(2018)

Studies on Italian Avant-garde Film

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Visions of Vienna:Narrating the City in 1920s and 1930s Cinema

(2018)

Narrating the City in 1920s and 1930s Cinema

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Sujet : On Films >

Modern Ghost Melodramas:'What Lies Beneath'

(2017)

'What Lies Beneath'

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Film History as Media Archaeology:Tracking Digital Cinema

(2016)

Tracking Digital Cinema

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Hollywood Is Everywhere:Global Directors in the Blockbuster Era

(2016)

Global Directors in the Blockbuster Era

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Sovereign Violence:Ethics and South Korean Cinema in the New Millennium

(2016)

Ethics and South Korean Cinema in the New Millennium

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Melodrama After the Tears:New Perspectives on the Politics of Victimhood

(2016)

New Perspectives on the Politics of Victimhood

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Color and Empathy:Essays on Two Aspects of Film

(2015)

Essays on Two Aspects of Film

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Farocki/Godard:Film as Theory

(2015)

Film as Theory

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A Revolution for the Screen:Abel Gance's Napoleon

(2015)

Abel Gance's Napoleon

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Cine-Dispositives:Essays in Epistemology Across Media

(2015)

Essays in Epistemology Across Media

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Warped Minds:Cinema and Psychopathology

(2014)

Cinema and Psychopathology

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Walter Ruttmann and the Cinema of Multiplicity:Avant-Garde - Advertising - Modernity

(2014)

Avant-Garde - Advertising - Modernity

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Exhibiting Cinema in Contemporary Art

(2013)

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Transition and Transformation:Victor Sjöström in Hollywood 1923-1930

(2012)

Victor Sjöström in Hollywood 1923-1930

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Figuring the Past:Period Film and the Mannerist Aesthetic

(2012)

Period Film and the Mannerist Aesthetic

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Between Stillness and Motion:Film, Photography, Algorithms

(2012)

Film, Photography, Algorithms

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New Mythological Figures in Spanish Cinema:Dissident Bodies under Franco

(2012)

Dissident Bodies under Franco

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Alexander Kluge:Raw Materials for the Imagination

(2011)

Raw Materials for the Imagination

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Cinema Beyond Film:Media Epistemology in the Modern Era

(2010)

Media Epistemology in the Modern Era

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Films that Work:Industrial Film and the Productivity of Media

(2009)

Industrial Film and the Productivity of Media

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Film Architecture and the Transnational Imagination:Set Design in 1930s European Cinema

(2007)

Set Design in 1930s European Cinema

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Playing the Waves:Lars von Trier´s Game Cinema

(2007)

Lars von Trier´s Game Cinema

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The Cinema of Attractions Reloaded

(2007)

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The West in Early Cinema:After the Beginning

(2006)

After the Beginning

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European Cinema:Face to Face with Hollywood

(2005)

Face to Face with Hollywood

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Hitchcock's Motifs

(2005)

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Herr Lubitsch Goes to Hollywood:German and American Film after World War I

(2005)

German and American Film after World War I

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Harun Farocki:Working on the Sight-Lines

(2004)

Working on the Sight-Lines

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The Last Great American Picture Show:New Hollywood Cinema in the 1970s

(2004)

New Hollywood Cinema in the 1970s

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City of Darkness, City of Light: Emigre Filmmakers in Paris 1929-1939

(2003)

Emigre Filmmakers in Paris 1929-1939

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Jean Desmet and the Early Dutch Film Trade

(2003)

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Film Front Weimar:Representations of the First World War in German Films from the Weimar Period (1919-1933)

(2002)

Representations of the First World War in German Films from the Weimar Period (1919-1933)

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Malaysian Cinema, Asian Film:Border Crossings and National Cultures

(2002)

Border Crossings and National Cultures

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The Cinema Alone:Jean-Luc Godard in the Year 2000

(2000)

Jean-Luc Godard in the Year 2000

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Audiovisions:Cinema and Television as Entr'actes in History

(1999)

Cinema and Television as Entr'actes in History

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Joris Ivens and the Documentary Context

(1999)

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Cinema Futures, Cain, Abel or Cable?:The Screen Arts in the Digital Age

(1998)

The Screen Arts in the Digital Age

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Fassbinder's Germany:History, Identity, Subject

(1996)

History, Identity, Subject

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Between Stage and Screen:Ingmar Bergman Directs

(1996)

Ingmar Bergman Directs

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A Second Life:German Cinema's First Decades

(1996)

German Cinema's First Decades

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•  Stories (1 livre)(0 livre)

Hollywood in Cannes:The History of a Love-Hate Relationship

(2015)

The History of a Love-Hate Relationship

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