Harun Farocki
Working on the Sight-Lines
Sous la direction de Thomas Elsaesser

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Description de l'ouvrage:
For more than thirty years Farocki was a filmmaker, documentarist, film-essayist and installation artist. What preoccupied him above all was not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki’s work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography.
À propos de l'auteur :
Thomas Elsaesser (1943-2019) was Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam.
Voir le site internet de l'éditeur Amsterdam University Press
Voir la filmographie complète de Harun Farocki sur le site IMDB ...
> Livres ayant un titre identique ou proche :
> Du même auteur :
The Mind-Game Film (2021)
Distributed Agency, Time Travel, and Productive Pathology
European Cinema and Continental Philosophy (2018)
Film As Thought Experiment
Film Theory (2015)
An Introduction through the Senses
de Thomas Elsaesser et Malte Hagener
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German Cinema - Terror and Trauma (2013)
Cultural Memory Since 1945
The Last Great American Picture Show (2004)
New Hollywood Cinema in the 1970s
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Sujet : Countries > United States
Weimar Cinema and After (2000)
Germany's Historical Imaginary
Cinema Futures, Cain, Abel or Cable? (1998)
The Screen Arts in the Digital Age
Dir. Thomas Elsaesser et Kay Hoffmann
Sujet : Sociology
> Sur un thème proche :
Exovede in the Darkroom (2023)
The Films of Rhayne Vermette
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Sujet : Director > Rhayne Vermette
Optic Antics (2011)
The Cinema of Ken Jacobs
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William Friedkin (2099)
The Life and Films of a Cinematic Risk-Taker
Sujet : Director > William Friedkin