MENU   

Harun Farocki

Working on the Sight-Lines

Edited by

Type
Studies
Subject
Director
Keywords
Harun Farocki, director, experimental
Publishing date
Publisher
Amsterdam University Press
Collection
Film Culture in Transition
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback382 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
90-5356-635-X
978-90-5356-635-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
For more than thirty years Farocki was a filmmaker, documentarist, film-essayist and installation artist. What preoccupied him above all was not so much an image of life, but the life of images, as they surround us in the newspapers, the cinema, history books, user manuals, posters, CCTV footage and advertising. His vast oeuvre of some sixty films includes three feature films (Zwischen den Kriegen/Between the Wars, Etwas wird sichtbar: Vietnam/In Your Eyes: Vietnam, Wie Man sieht/As You See), essay films (e.g. Images of the World-Inscription of War), critical media-pieces, experimental work, children's features for television, historical film essays (e.g. on Peter Lorre), `learning-films' in the tradition of Brecht (e.g. Workers Leaving the Factory) and installation pieces (e.g. Still Life). In this monograph, Elsaesser approaches Farocki’s work from different critical perspectives, as well as reflecting on his extraordinary biography. The volume is complemented by interviews, a selection of writings by Farocki and an annotated filmography.

About the Author:
Thomas Elsaesser (1943-2019) was Professor of Film and Television Studies in the Department of Art and Culture at the University of Amsterdam.

See the

See the Harun Farocki on the website: IMDB ...

> Books with the same or similar title:

Harun Farocki:Forms of Intelligence

(2024)

Forms of Intelligence

by

Subject: Director >

> From the same author:

The Mind-Game Film:Distributed Agency, Time Travel, and Productive Pathology

(2021)

Distributed Agency, Time Travel, and Productive Pathology

by

Subject: Studio >

Film Theory:An Introduction through the Senses

(2015)

An Introduction through the Senses

by and

Subject:

German Cinema - Terror and Trauma:Cultural Memory Since 1945

(2013)

Cultural Memory Since 1945

by

Subject: Countries >

European Cinema:Face to Face with Hollywood

(2005)

Face to Face with Hollywood

by

Subject: Countries >

Weimar Cinema and After:Germany's Historical Imaginary

(2000)

Germany's Historical Imaginary

by

Subject: Countries >

Cinema Futures, Cain, Abel or Cable?:The Screen Arts in the Digital Age

(1998)

The Screen Arts in the Digital Age

Dir. and

Subject:

Fassbinder's Germany:History, Identity, Subject

(1996)

History, Identity, Subject

by

Subject: Director >

A Second Life:German Cinema's First Decades

(1996)

German Cinema's First Decades

by

Subject: Countries >

Early Cinema:Space, Frame, Narrative

(1990)

Space, Frame, Narrative

Dir.

Subject:

> On a related topic:

17082 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info