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Warped Minds

Cinema and Psychopathology

by

Type
Studies
Subject
Keywords
psychology, sociology
Publishing date
Publisher
Amsterdam University Press
Collection
Film Culture in Transition
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover288 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-90-8964-632-3
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Book Presentation:
Warped Minds explores the transformation of psychopathologies into cultural phenomena in the wake of the transition from an epistemological to an ontological approach to psychopathology. Trifonova considers several major points in this intellectual history: the development of a dynamic model of the self at the fin de siècle, the role of photography and film in the construction of psychopathology, the influence of psychoanalysis on the transition from static, universalizing psychiatric paradigms to dynamic styles of psychiatry foregrounding the socially constructed nature of madness, and the decline of psychoanalysis and the aestheticization of madness into a trope describing the conditions of knowledge in postmodernity as evidenced by the transformation of multiple personality and paranoia into cultural and aesthetic phenomena.

About the Author:
Temenuga Trifonova, Associate Professor of Cinema and Media Studies at York University, is the author of The Figure of the Migrant in Contemporary European Cinema (2020), Warped Minds: Cinema and Psychopathology (2014), The Image in French Philosophy (2007), and the edited volumes Screening the Art World (2022), Contemporary Visual Culture and the Sublime (2017), and European Film Theory (2008). In Fall 2023 Trifonova will join UCL (University College London) as Associate Professor of Creative Arts and Humanities.

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