MENU   

Screening the Art World

Edited by

Type
Studies
Subject
Keywords
arts, representation
Publishing date
Publisher
Amsterdam University Press
Collection
Film Culture in Transition
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover330 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-94-6372-485-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject - art in cinema, rather than the art of cinema - by considering films across genres, historical periods, and national cinemas in order to reflect on cinema's fluctuating imaginary of art and the art world. The book examines the intersection of art history with history in cinema; cinema's simultaneous affirmation and denigration of the idea of art as "truth"; the dominant, often contradictory ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.

About the Author:
Temenuga Trifonova, Associate Professor of Cinema and Media Studies at York University, is the author of The Figure of the Migrant in Contemporary European Cinema (2020), Warped Minds: Cinema and Psychopathology (2014), The Image in French Philosophy (2007), and the edited volumes Screening the Art World (2022), Contemporary Visual Culture and the Sublime (2017), and European Film Theory (2008). In Fall 2023 Trifonova will join UCL (University College London) as Associate Professor of Creative Arts and Humanities.

See the

> From the same author:

> On a related topic:

Rough and Unequal:A Film by Kevin Jerome Everson

(2021)

A Film by Kevin Jerome Everson

Collective

Subject:

Cinema Between Media:An Intermediality Approach

(2018)

An Intermediality Approach

by and

Subject:

Cubism and Futurism:Spiritual Machines and the Cinematic Effect

(2018)

Spiritual Machines and the Cinematic Effect

by

Subject:

The Sensible Stage:Staging and the Moving Image

(2017)

Staging and the Moving Image

Dir.

Subject:

Framing Film:Cinema and the Visual Arts

(2012)

Cinema and the Visual Arts

Dir. and

Subject:

Cinema Remixed and Reloaded:Black Women and the Moving Image Since 1970

(2008)

Black Women and the Moving Image Since 1970

by and

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info