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Postcommunist Film - Russia, Eastern Europe and World Culture

Moving Images of Postcommunism

Sous la direction de Lars Kristensen

Type
Studies
Sujet
CountriesRussia / USSR
Mots Clés
Russia, Eastern Europe, 1990s, 2000s
Année d'édition
2013
Editeur
Routledge
Collection
Routledge Contemporary Russia and Eastern Europe Series
1ere édition
2012
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 224 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-73131-7
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Description de l'ouvrage:
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.

The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.

À propos de l'auteur :
Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.

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