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Postcommunist Film - Russia, Eastern Europe and World Culture
Moving Images of Postcommunism
Edited by Lars Kristensen
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Book Presentation:
A post-communist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines post-communist cross culturalism and global totalitarianism within film.
The book examines different national cinemas and dissimilar cinematic modes - from Russian blockbuster cinema to Chinese independent cinema; from Serbian city films to revolutionary films of Mozambique - all formulated as within the postcommunist condition. It considers the postcommunist film in terms of transnational and World cinema. It covers a wide range of films from small and independent filmmaking to mainstream, popular cinema, and explains post-communist signifiers as manifested in visual culture both inside and outside former, and current, communist countries.
About the Author:
Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.
See the publisher website: Routledge
> From the same author:
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Marxism and Film Activism (2018)
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Contemporary Cinema and Neoliberal Ideology (2017)
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