Books in French are on www.livres-cinema.info
Modern Russian Cinema as a Battleground in Russia's Information War
Edited by Alexander Rojavin and Helen Haft
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.
About the authors:
Alexander Rojavin, formerly of the theater world, is an intelligence, policy, media, and film analyst specializing in information war history, strategy, and tactics. He is currently the Vice President of Counter Foreign Malign Influence Strategy at Deft9 Solutions, Inc.Helen Haft is currently an Assistant District Attorney at the Manhattan District Attorney’s Office (she is contributing to this volume in her personal capacity and the views expressed herin do not represent those of the DA's Office or the City of New York). Prior to joining the DA’s office she was a legal fellow at Human Rights in China, after having spent many years studying Russia, with a focus on church-state relations, religiously inspired legislation, and freedom of speech.
See the publisher website: Routledge
> On a related topic:
Soviet Science Fiction Cinema and the Space Age (2023)
Memorable Futures
Subject: Countries > Russia / USSR
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
Dir. Masha Shpolberg and Anastasia Kostina
Subject: Countries > Russia / USSR
Learn Russian through Contemporary Short Film (2024)
Subject: Countries > Russia / USSR
Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
by Eleanor Rees
Subject: Countries > Russia / USSR
Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Subject: Countries > Russia / USSR
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
Dir. Agnes Petho
Subject: Countries > Russia / USSR
Conspiracy Culture (2020)
Post-Soviet Paranoia and the Russian Imagination
Subject: Countries > Russia / USSR
Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
Subject: Countries > Russia / USSR
Back
