Books in French are on www.livres-cinema.info
MENU   

Cinematernity

Film, Motherhood, Genre

by Lucy Fischer

Type
Studies
Subject
Sociology
Keywords
women, gender
Publishing date
2014
Publisher
Princeton University Press
Collection
Princeton Legacy Library
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 262 pages
5 ¾ x 8 ½ inches (14.5 x 21.5 cm)
ISBN
978-0-691-60859-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity.

Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films. In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view.

Originally published in 1996.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

See the publisher website: Princeton University Press

> From the same author:

The Cinema of Converging Lives:Complex Films and Intersecting Stories in an Isolated World

The Cinema of Converging Lives (2025)

Complex Films and Intersecting Stories in an Isolated World

by Lucy Fischer

Subject: Sociology

Emotion Pictures:Movies and Feelings

Emotion Pictures (2024)

Movies and Feelings

by Lucy Fischer

Subject: Sociology

Recollecting Collecting:A Film and Media Perspective

Recollecting Collecting (2023)

A Film and Media Perspective

Dir. Lucy Fischer

Subject: Economics

Casting a Giant Shadow:The Transnational Shaping of Israeli Cinema

Casting a Giant Shadow (2021)

The Transnational Shaping of Israeli Cinema

Dir. Lucy Fischer and Dan Chyutin

Subject: Countries > Israel

Sunrise:A Song of Two Humans

Sunrise (2020)

A Song of Two Humans

by Lucy Fischer

Subject: One Film > Sunrise: A Song of Two Humans

Cinemagritte:René Magritte Within the Frame of Film History, Theory, and Practice

Cinemagritte (2019)

René Magritte Within the Frame of Film History, Theory, and Practice

by Lucy Fischer

Subject: Technique > Aesthetics

Cinema by Design:Art Nouveau, Modernism, and Film History

Cinema by Design (2017)

Art Nouveau, Modernism, and Film History

by Lucy Fischer

Subject: Technique > Aesthetics

Shot/Countershot:Film Tradition and Women's Cinema

Shot/Countershot (2014)

Film Tradition and Women's Cinema

by Lucy Fischer

Subject: Sociology

Body Double:The Author Incarnate in the Cinema

Body Double (2013)

The Author Incarnate in the Cinema

by Lucy Fischer

Subject: Theory

American Cinema of the 1920s:Themes and Variations

American Cinema of the 1920s (2009)

Themes and Variations

Dir. Lucy Fischer

Subject: Silent Cinema

Designing Women:Cinema, Art Deco, and the Female Form

Designing Women (2003)

Cinema, Art Deco, and the Female Form

by Lucy Fischer

Subject: Technique > Set Design

Sunrise:A Song of Two Humans

Sunrise (1998)

A Song of Two Humans

by Lucy Fischer

Subject: One Film > Sunrise: A Song of Two Humans

Imitation of Life:Douglas Sirk, Director

Imitation of Life (1991)

Douglas Sirk, Director

Dir. Lucy Fischer

Subject: One Film > Imitation of Life

> On a related topic:

Through the Lens, Brightly:Women in Cinema, Women at Work

Through the Lens, Brightly (2023)

Women in Cinema, Women at Work

by Shoma A Chatterji

Subject: Sociology

The Female Gaze:Essential Movies Made by Women

The Female Gaze (2022)

Essential Movies Made by Women

by Alicia Malone

Subject: Sociology

Affirmative Aesthetics and Wilful Women:Gender, Space and Mobility in Contemporary Cinema

Affirmative Aesthetics and Wilful Women (2021)

Gender, Space and Mobility in Contemporary Cinema

by Maud Ceuterick

Subject: Sociology

Buffy to Batgirl:Essays on Female Power, Evolving Femininity and Gender Roles in Science Fiction and Fantasy

Buffy to Batgirl (2019)

Essays on Female Power, Evolving Femininity and Gender Roles in Science Fiction and Fantasy

Dir. Julie M. Still and Zara T. Wilkinson

Subject: Sociology

Girl Warriors:Feminist Revisions of the Hero's Quest in Contemporary Popular Culture

Girl Warriors (2019)

Feminist Revisions of the Hero's Quest in Contemporary Popular Culture

by Svenja Hohenstein

Subject: Sociology

The Body and the Screen:Female Subjectivities in Contemporary Women's Cinema

The Body and the Screen (2017)

Female Subjectivities in Contemporary Women's Cinema

by Kate Ince

Subject: Sociology

Embroidering the Scarlet A:Unwed Mothers and Illegitimate Children in American Fiction and Film

Embroidering the Scarlet A (2015)

Unwed Mothers and Illegitimate Children in American Fiction and Film

by Janet Mason Ellerby

Subject: Sociology

14492 books listed   •   (c)2024-2025 cinemabooks.info   •