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Artists in the Audience

Cults, Camp, and American Film Criticism

by

Type
Studies
Subject
Keywords
critics
Publishing date
Publisher
Princeton University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback208 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-691-08955-8
978-0-691-08955-3
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Book Presentation:
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator.

About the Author:
Greg Taylor is Assistant Professor in the Conservatory of Theatre Arts and Film at Purchase College, State University of New York.

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