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The Gaze and the Labyrinth

The Cinema of Liliana Cavani

by Gaetana Marrone

Type
Studies
Subject
DirectorLiliana Cavani
Keywords
Liliana Cavani, director
Publishing date
2000
Publisher
Princeton University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 328 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-691-00873-6
978-0-691-00873-8
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Book Presentation:
In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes.

The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.

About the Author:
Gaetana Marrone is Associate Professor in the Department of Romance Languages and Literatures at Princeton University. She is the author of La drammatica di Ugo Betti: Tematiche e archetipi, which won the American Association of Italian Studies Triennial Best Book Award in 1990, and the editor of New Landscapes in Contemporary Italian Cinema, Annali d'Italianistica 17 (1998). Marrone has also produced two award-winning films, Woman in the Wind, starring Colleen Dewhurst, and Princeton: Images of a University.

See the publisher website: Princeton University Press

See the complete filmography of Liliana Cavani on the website: IMDB ...

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