Visual Culture in Twentieth-Century Germany
Text as Spectacle
Sous la direction de Gail Finney

Moyenne des votes : ![]()
| 0 | vote | |
| 0 | vote | |
| 0 | vote | |
| 0 | vote |
Votre vote : -
Description de l'ouvrage:
If the 21st century is the digital age, the 20th century can be characterized as the visual age, the era in which visual activity achieved unprecedented prominence. As this volume richly demonstrates, the visual mode was nowhere more dynamic and powerful during the 1900s than in Germany.
Visual Culture in Twentieth-Century Germany explores a wide spectrum of visual media in 20th-century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performance, advertising, architecture, painting, dance, television, and cartography, investigating the ways in which these visual media were inflected by aesthetic innovation, changing attitudes toward gender and sexuality, and the political upheavals of the day. This volume sheds new light on German cultural history during the 1900s and represents a major contribution to the field of visual culture studies.
À propos de l'auteur :
Gail Finney is Professor of Comparative Literature and German at the University of California, Davis. Her publications include The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-Century Fiction; Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century; Look Whos Laughing: Gender and Comedy (ed.); and Christa Wolf.
Revue de Presse:
"...The essays cover a huge range...the essays on methodology and aesthetics are enlightening...valuable..." -- Choice, March 2007, W. S. Bradley, Mesa State College
> Sur un thème proche :
Film Societies in Germany and Austria 1910-1933 (2023)
Tracing the Social Life of Cinema
Homo Cinematicus (2017)
Science, Motion Pictures, and the Making of Modern Germany
The Nazi Past in Contemporary German Film (2014)
Viewing Experiences of Intimacy and Immersion
de Axel Bangert
Rubble, Ruins and Romanticism (2013)
Visual Style, Narration and Identity in German Post-War Cinema
The Cosmopolitan Screen (2007)
German Cinema and the Global Imaginary, 1945 to the Present
Dir. Stephan K. Schindler et Lutz Koepnick
Heimat - A German Dream (2000)
Regional Loyalties and National Identity in German Culture 1890-1990