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Movies, Songs, and Electric Sound

Transatlantic Trends

by

Type
Studies
Subject
Technique
Keywords
songs, 1930s, sound, history of cinema
Publishing date
Publisher
Indiana University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback228 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-253-04040-4
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Book Presentation:
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.

About the Author:
Charles O'Brien is Associate Professor of Film Studies at Carleton University. He is author of Cinema's Conversion to Sound: Technology and Film Style in France and the U.S.

Press Reviews:
"Movies, Songs, and Electric Sound is an insightful study in the beginning of cinema's sound era."―popcultureshelf.com

See the

> From the same author:

Cinema's Conversion to Sound:Technology and Film Style in France and the U.S.

(2005)

Technology and Film Style in France and the U.S.

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> On a related topic:

After the Silents:Hollywood Film Music in the Early Sound Era, 1926-1934

(2014)

Hollywood Film Music in the Early Sound Era, 1926-1934

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Saying It with Songs:Popular Music and the Coming of Sound to Hollywood Cinema

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Popular Music and the Coming of Sound to Hollywood Cinema

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The Voice of Technology:Soviet Cinema's Transition to Sound, 1928–1935

(2018)

Soviet Cinema's Transition to Sound, 1928–1935

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You Ain't Heard Nothin' Yet:The American Talking Film, History and Memory, 1927-1949

(2000)

The American Talking Film, History and Memory, 1927-1949

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Hearing the Movies:Music and Sound in Film History

(2015)

Music and Sound in Film History

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Chanteuse in the City:The Realist Singer in French Film

(2010)

The Realist Singer in French Film

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Sounding the Modern Woman:The Songstress in Chinese Cinema

(2015)

The Songstress in Chinese Cinema

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Aesthetics of Early Sound Film:Media Change Around 1930

(2023)

Media Change Around 1930

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