The Woman at the Keyhole

Feminism and Women's Cinema

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de Judith Mayne

Type

Studies

Sujet

Sociology

Mots Clés

philosophy, women, feminism, representation

Année d'édition

1990

Editeur

Indiana University Press

Collection

Theories of Representation and Difference

Langue

anglais

Taille du livre

Format

Paperback • 272 pages
6 x 9 inches (15.5 x 23 cm)

ISBN-10
ISBN-13

0-253-20606-5
978-0-253-20606-0

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Description de l'ouvrage:
"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." —SubStance

" . . . this intelligent, eminently readable volume puts women's filmmaking on the main stage. . . . serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." —The Independent

When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.

Voir le site internet de l'éditeur Indiana University Press