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Women Filmmakers of the African & Asian Diaspora

Decolonizing the Gaze, Locating Subjectivity

by

Type
Studies
Subject
Countries
Keywords
women, African Americans, Asian Americans
Publishing date
Publisher
Southern Illinois University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback192 pages
6 ½ x 9 ½ inches (16.5 x 24 cm)
ISBN-10
ISBN-13
0-8093-2120-3
978-0-8093-2120-9
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Book Presentation:
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking.
Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers.
Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are actively constructing [in the words of bell hooks] ‘an oppositional gaze’"; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British Black filmmaker concerned with issues of representation, identity; cultural displacement, lesbianism, and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist who revolutionized documentary filmmaking by displacing the "voyeuristic gaze of the ethnographic documentary filmmaker"; and Mira Nair, a Black Indian woman who concentrates on interracial identity.

About the Author:
Gwendolyn Audrey Foster is Willa Cather Endowed Professor of English and Film Studies at the University of Nebraska, Lincoln, and is the author of fourteen books. Performing Whiteness: Postmodern Re/Constructions in the Cinema, was named an outstanding title in the humanities for 2004 by Choice. Foster's most recent book is Disruptive Feminisms: Raced, Classed, and Gendered Bodies in Film.​

Press Reviews:
“This book sheds a necessary light on women film­makers and videographers whose existence and works have been overlooked in previous book-length studies of women filmmakers.”—Mark A. Reid, author of Post-­Negritude Visual and Literacy Culture

See the

> From the same author:

Disruptive Feminisms:Raced, Gendered, and Classed Bodies in Film

(2015)

Raced, Gendered, and Classed Bodies in Film

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21st-Century Hollywood:Movies in the Era of Transformation

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Movies in the Era of Transformation

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Class-Passing:Social Mobility in Film and Popular Culture

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Social Mobility in Film and Popular Culture

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Identity And Memory:The Films of Chantal Akerman

(2003)

The Films of Chantal Akerman

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Captive Bodies:Postcolonial Subjectivity in Cinema

(1999)

Postcolonial Subjectivity in Cinema

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