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Experimental Cinema, The Film Reader

Sous la direction de Gwendolyn Audrey Foster et Wheeler Winston Dixon

Type
Studies
Sujet
GenreExperimental
Mots Clés
experimental
Année d'édition
2002
Editeur
Routledge
Collection
In Focus: Routledge Film Readers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 366 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-415-27787-6
978-0-415-27787-7
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Description de l'ouvrage:
This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.

À propos des auteurs :
Wheeler Winston-Dixon is Professor of Film Studies and Chair of the Film Studies Program at the University of Nebraska. Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska.

Voir le site internet de l'éditeur Routledge

> Des mêmes auteurs :

Streaming:Movies, Media, and Instant Access

Streaming (2013)

Movies, Media, and Instant Access

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Sujet : Economics

Death of the Moguls:The End of Classical Hollywood

Death of the Moguls (2012)

The End of Classical Hollywood

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21st-Century Hollywood:Movies in the Era of Transformation

21st-Century Hollywood (2011)

Movies in the Era of Transformation

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Film Talk:Directors at Work

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Directors at Work

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Visions of Paradise:Images of Eden in the Cinema

Visions of Paradise (2006)

Images of Eden in the Cinema

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Lost in the Fifties:Recovering Phantom Hollywood

Lost in the Fifties (2005)

Recovering Phantom Hollywood

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Class-Passing:Social Mobility in Film and Popular Culture

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Social Mobility in Film and Popular Culture

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Identity And Memory:The Films of Chantal Akerman

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The Films of Chantal Akerman

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Straight:Constructions of Heterosexuality in the Cinema

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Constructions of Heterosexuality in the Cinema

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The Second Century of Cinema:The Past and Future of the Moving Image

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Film Genre 2000:New Critical Essays

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Sujet : Genre > All Genres

Captive Bodies:Postcolonial Subjectivity in Cinema

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The Exploding Eye:A Re-Visionary History of 1960s American Experimental Cinema

The Exploding Eye (1997)

A Re-Visionary History of 1960s American Experimental Cinema

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Women Filmmakers of the African & Asian Diaspora:Decolonizing the Gaze, Locating Subjectivity

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Decolonizing the Gaze, Locating Subjectivity

de Gwendolyn Audrey Foster

Sujet : Countries > United States

> Sur un thème proche :

Cinemal:The Becoming-Animal of Experimental Film

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Cauleen Smith:Breaking Cinema: Experimental Film 2010-2023

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Ruins, Accident, Glitch

Ruins, Accident, Glitch (2023)

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(en anglais et français)

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