Experimental Cinema, The Film Reader
Edited by Gwendolyn Audrey Foster and Wheeler Winston Dixon
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Book Presentation:
This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary film and video artists. The Reader addresses major movements and key figures of the avant-garde, including filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and Julie Dash, investigates how underground films have explored issues of gender, sexuality and race, and foreground technical innovations such as the use of Super 8mm and video.
About the authors:
Wheeler Winston-Dixon is Professor of Film Studies and Chair of the Film Studies Program at the University of Nebraska. Gwendolyn Audrey Foster is Associate Professor in the Department of English at the University of Nebraska.
See the publisher website: Routledge
> From the same authors:
A Short History of Film (2025)
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
Subject: History of Cinema
Death of the Moguls (2012)
The End of Classical Hollywood
21st-Century Hollywood (2011)
Movies in the Era of Transformation
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
Subject: Economics
Visions of Paradise (2006)
Images of Eden in the Cinema
The Exploding Eye (1997)
A Re-Visionary History of 1960s American Experimental Cinema
Subject: Genre > Experimental
Women Filmmakers of the African & Asian Diaspora (1997)
Decolonizing the Gaze, Locating Subjectivity
Subject: Countries > United States
> On a related topic:
Italian Experimental Cinema and Moving-Image Art (2025)
New Paths, New Perspectives
Dir. Rossella Catanese and Jennifer Malvezzi
Subject: Genre > Experimental
Expanding Cinemas (2024)
Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960
Subject: Genre > Experimental
Experimental Found Footage Cinema (2024)
Dir. André Habib and Annaëlle Winand
(in English and French)
Subject: Genre > Experimental
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