The Dread of Difference
Gender and the Horror Film
Edited by Barry Keith Grant
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“The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It’s rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.”—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality
“An impressive array of distinguished scholars . . . gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.”—Choice
“An extremely useful introduction to recent thinking about gender issues within this genre.”—Film Theory
See the publisher website: University of Texas Press
> From the same author:
Voyages of Discovery (2023)
The Cinema of Frederick Wiseman, revised and expanded edition
Subject: Director > Frederick Wiseman
Comics and Pop Culture (2019)
Adaptation from Panel to Frame
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Notions of Genre (2016)
Writings on Popular Film Before Genre Theory
Dir. Barry Keith Grant and Malisa Kurtz
Subject: Film Analysis
Documenting the Documentary (2013)
Close Readings of Documentary Film and Video, New and Expanded Edition
Dir. Barry Keith Grant and Jeannette Sloniowski
Subject: Genre > Documentary
New Zealand Cinema (2011)
Interpreting the Past
Dir. Alistair Fox, Barry Keith Grant and Hilary Radner
Subject: Countries > New Zealand
Invasion of the Body Snatchers (2010)
Subject: One Film > Invasion of the Body Snatchers
American Cinema of the 1960s (2008)
Themes and Variations
Dir. Barry Keith Grant
Subject: On Films > Per period
Five Films by Frederick Wiseman (2006)
Titicut Follies, High School, Welfare, High School II, Public Housing
Dir. Barry Keith Grant
Subject: Director > Frederick Wiseman
> On a related topic:
Willful Monstrosity (2020)
Gender and Race in 21st Century Horror
Attack of the Leading Ladies (2018)
Gender, Sexuality, and Spectatorship in Classic Horror Cinema
Men, Women, and Chain Saws (2015)
Gender in the Modern Horror Film
The Psychodynamics of Trauma and Modern Horror Cinema (2025)
I Am What Haunts Me
The Politics of Monstrous Figures in Contemporary Cinema (2025)
Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World