Books in French are on www.livres-cinema.info
MENU   

Fritz Lang

Interviews

by Fritz Lang and Barry Keith Grant

Type
Interviews
Subject
DirectorFritz Lang
Keywords
Fritz Lang, director, interviews
Publishing date
2004
Publisher
University Press of Mississippi
Collection
Conversations with Filmmakers
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 240 pages
6 x 9 ¼ inches (15 x 23.5 cm)
ISBN-10
ISBN-13
1-57806-577-1
978-1-57806-577-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
These collected interviews of the German expatriate whose work includes classics of German cinema, American crime films, noir films, and Westerns
---show Lang to be one of the film greats of German Expressionism, with such silent-film classics as Metropolis (1927) and M (1931).
---include several interviews translated from German and published in English for the first time.
---demonstrate how Lang, in Hollywood, worked with every major studio except Disney, directing films that range from blockbusters (The Big Heat with Lee Marvin and Gloria Grahame) to modest B movies. His films depict an entrapping, claustrophobic world in which people are controlled by larger forces and struggle vainly against fate and against personal doom
---show him to be a notoriously difficult to interview, evasive, prevaricating, sometimes caustic, autocratic
---range over a period of forty years

Book Presentation:
The films of Fritz Lang depict an entrapping, claustrophobic world in which people are controlled by larger forces. His overriding theme is the struggle against fate and against the traits of human nature that doom us.
His life and work spanned six decades of film history-from the silent era through the golden age of German Expressionism of the 1920s and the classic studio system in Hollywood to the rise of the international co-production. In Hollywood he worked for every major studio except Disney. He made blockbusters, modest B movies, and everything in between. Among his films are classics of German cinema-including Metropolis and M. In America he made some of the most notable crime movies (Fury), noir films (The Big Heat), and Westerns (The Return of Frank James) of the studio era. Despite the different time periods, nations, and genres in which he worked, his films remain stylistically consistent.
Lang (1890-1976), a notoriously difficult interviewee, granted relatively few interviews apart from short publicity exchanges in the promotion of his films. Fully aware of his public persona, he was a canny self-promoter who carefully constructed half-truths and myths about himself.
This fascinating collection covers his conversations about his life and his works over a period of forty years. They reveal how cinema for Lang was an intensely personal art. "For me," he said, "cinema is a vice. I love it intimately. I've often written that it is the art form of our century."

Press Reviews:
Lang is best known for the silent German films, especially Metropolis, that he directed between the world wars, and the genre movies, including such noir classics as The Big Heat, that he made after emigrating to America. All but one interview in this book come from Lang's last two decades, when, no longer an active filmmaker, he was a cinematic legend worshiped by the French New Wave directors (Godard had him play himself in Contempt ). His reputation for manipulating his image is apparent in the anecdotes he repeatedly trots out, such as his claim to have fled Germany the very day that Goebbels asked him to be the filmmaker for the Third Reich (a story debunked in later biographies). Much of Lang's spiel is factually unreliable, yet all remains fascinating. A notoriously difficult interview subject, Lang cannily exploited his Teutonic image by bullying the young film critics who idolized him. These conversations often fascinate by showing the temperamental filmmaker avoiding cinematic theorizing, making absurd pronouncements, and flirting shamelessly with female interviewers. Gordon Flagg Copyright © American Library Association. All rights reserved

See the publisher website: University Press of Mississippi

See the complete filmography of Fritz Lang on the website: IMDB ...

> Books with the same or similar title:

Fritz Lang:The Nature of the Beast

Fritz Lang (2013)

The Nature of the Beast

by Patrick McGilligan

Subject: Director > Fritz Lang

Fritz Lang:Genre and Representation in His American Films

Fritz Lang (2003)

Genre and Representation in His American Films

by Reynold Humphries

Subject: Director > Fritz Lang

Fritz Lang:Sa vie, son œuvre : photos et documents

Fritz Lang (2001)

Sa vie, son œuvre : photos et documents

Collective
(in German, English and French)

Subject: Director > Fritz Lang

> From the same authors:

Ken Russell:Interviews

Ken Russell (2024)

Interviews

Dir. Barry Keith Grant

Subject: Director > Ken Russell

Voyages of Discovery:The Cinema of Frederick Wiseman, revised and expanded edition

Voyages of Discovery (2023)

The Cinema of Frederick Wiseman, revised and expanded edition

by Barry Keith Grant

Subject: Director > Frederick Wiseman

Comics and Pop Culture:Adaptation from Panel to Frame

Comics and Pop Culture (2019)

Adaptation from Panel to Frame

Dir. Barry Keith Grant and Scott Henderson

Subject: Genre > Fantasy

Notions of Genre:Writings on Popular Film Before Genre Theory

Notions of Genre (2016)

Writings on Popular Film Before Genre Theory

Dir. Barry Keith Grant and Malisa Kurtz

Subject: Film Analysis

The Dread of Difference:Gender and the Horror Film

The Dread of Difference (2015)

Gender and the Horror Film

Dir. Barry Keith Grant

Subject: Genre > Horror

Documenting the Documentary:Close Readings of Documentary Film and Video, New and Expanded Edition

Documenting the Documentary (2013)

Close Readings of Documentary Film and Video, New and Expanded Edition

Dir. Barry Keith Grant and Jeannette Sloniowski

Subject: Genre > Documentary

Shadows of Doubt:Negotiations of Masculinity in American Genre Films

Shadows of Doubt (2010)

Negotiations of Masculinity in American Genre Films

by Barry Keith Grant

Subject: Sociology

American Cinema of the 1960s:Themes and Variations

American Cinema of the 1960s (2008)

Themes and Variations

Dir. Barry Keith Grant

Subject: On Films > Per period

Film Genre:From Iconography to Ideology

Film Genre (2007)

From Iconography to Ideology

by Barry Keith Grant

Subject: Genre > All Genres

Five Films by Frederick Wiseman:Titicut Follies, High School, Welfare, High School II, Public Housing

Five Films by Frederick Wiseman (2006)

Titicut Follies, High School, Welfare, High School II, Public Housing

Dir. Barry Keith Grant

Subject: Director > Frederick Wiseman

> On a related topic:

Cinema Her Way:Visionary Female Directors in Their Own Words

Cinema Her Way (2025)

Visionary Female Directors in Their Own Words

by Marya E. Gates

Subject: Director

Fred Schepisi:Interviews

Fred Schepisi (2025)

Interviews

Dir. Tom Ryan

Subject: Director > Fred Schepisi

Samuel Fuller:Interviews

Samuel Fuller (2024)

Interviews

Dir. Gerald Peary

Subject: Director > Samuel Fuller

The De Palma Decade:Redefining Cinema with Doubles, Voyeurs, and Psychic Teens

The De Palma Decade (2024)

Redefining Cinema with Doubles, Voyeurs, and Psychic Teens

by Laurent Bouzereau

Subject: Director > Brian de Palma

They Made the Movies:Conversations With Great Filmmakers

They Made the Movies (2024)

Conversations With Great Filmmakers

by James Bawden and Ron Miller

Subject: Director

Merchant-Ivory:Interviews

Merchant-Ivory (2024)

Interviews

Dir. Laurence Raw

Subject: Director > James Ivory

12690 books listed   •   (c)2024-2025 cinemabooks.info   •