Books in French are on www.livres-cinema.info
MENU   

Five Films by Frederick Wiseman

Titicut Follies, High School, Welfare, High School II, Public Housing

Edited by Barry Keith Grant

Type
Studies
Subject
DirectorFrederick Wiseman
Keywords
Frederick Wiseman, documentary, analysis, direct cinema
Publishing date
2006
Publisher
University of California Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 448 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-520-24457-5
978-0-520-24457-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Frederick Wiseman is among America’s foremost documentary filmmakers. The recipient of many awards, including three Emmys, Wiseman has made more than thirty feature-length documentaries during a career that has spanned five decades. Together, these films provide a fascinating chronicle of American social and institutional life. This book makes available for the first time transcriptions of five of Wiseman’s most important films— Titicut Follies, High School, Welfare, High School II, Public Housing—providing all of the dialogue as well as annotations about other aspects of the soundtracks such as music and ambient noise, and notes about editing and camera movement. These scene-by-scene transcripts enable readers to scrutinize the films’ complex structural patterns, recurring motifs, editing regimes, and the unscripted dialogue that makes Wiseman’s cinema a rich repository of American speech. Editor Barry Keith Grant’s critical introduction discusses the importance of sound in Wiseman’s documentaries. Liberally illustrated with images from the films, these meticulous transcriptions are accompanied by a bibliography and filmography.

About the Author:
Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University in Ontario, Canada. He is the author of Voyages of Discovery: The Cinema of Frederick Wiseman (1992), and the editor of Fritz Lang Interviews (2003), Film Genre Reader 3 (2003), John Ford’s Stagecoach (2002), and The Dread of Difference: Gender and the Horror Film (1996), among other books.

Press Reviews:
"a valuable resource for documentary scholars. . . . 5 Films by Frederick Wiseman also should find a home on the shelves of linguists and cultural anthropologists . . . and it will provide an aid to all those aspiring screenwriters and playwrights who want to capture the nuances of American spoken English during the years of its decline. . . . Citation would be nearly impossible without a book like this."— Int'l Documentary Magazine

"This is a work of painstaking scholarship of an original sort in film studies. . . . It will be a great addition tot he study of Wiseman’s work, and a model for on-the-ground film documentation."— University Of Toronto Quarterly

"Barry Grant has created a monumental resource for the study of a monumental filmmaker. The transcripts of these five films have been meticulously constructed without compromising the vitality and energy that characterizes the films themselves. This book should be invaluable to film scholars for as long as the films of Fred Wiseman are viewed, discussed and dissected—which we now know will be a long time indeed."—Ross McElwee, Director, Sherman's March and Bright Leaves

"Fred Wiseman is the perfect example of someone who has created a great canon of films. He is not just a great documentary filmmaker, he is a great filmmaker and artist. He has created some of the wildest, most personal, and oddly expressionistic filmmaking around. His origins are not in the movies but in the theater of the absurd. I imagine his smile of pleasure when the man in Welfare compares his situation to Godot. It's not life imitating art, but a strange admixture of both where the boundary lines between the two are no longer visible. Ultimately, Wiseman has showed us that the ultimate institution is life itself, and properly speaking, we should all be institutionalized."—Errol Morris

See the publisher website: University of California Press

See the complete filmography of Frederick Wiseman on the website: IMDB ...

> From the same author:

Ken Russell:Interviews

Ken Russell (2024)

Interviews

Dir. Barry Keith Grant

Subject: Director > Ken Russell

Voyages of Discovery:The Cinema of Frederick Wiseman, revised and expanded edition

Voyages of Discovery (2023)

The Cinema of Frederick Wiseman, revised and expanded edition

by Barry Keith Grant

Subject: Director > Frederick Wiseman

Comics and Pop Culture:Adaptation from Panel to Frame

Comics and Pop Culture (2019)

Adaptation from Panel to Frame

Dir. Barry Keith Grant and Scott Henderson

Subject: Genre > Fantasy

Notions of Genre:Writings on Popular Film Before Genre Theory

Notions of Genre (2016)

Writings on Popular Film Before Genre Theory

Dir. Barry Keith Grant and Malisa Kurtz

Subject: Film Analysis

The Dread of Difference:Gender and the Horror Film

The Dread of Difference (2015)

Gender and the Horror Film

Dir. Barry Keith Grant

Subject: Genre > Horror

Documenting the Documentary:Close Readings of Documentary Film and Video, New and Expanded Edition

Documenting the Documentary (2013)

Close Readings of Documentary Film and Video, New and Expanded Edition

Dir. Barry Keith Grant and Jeannette Sloniowski

Subject: Genre > Documentary

Shadows of Doubt:Negotiations of Masculinity in American Genre Films

Shadows of Doubt (2010)

Negotiations of Masculinity in American Genre Films

by Barry Keith Grant

Subject: Sociology

American Cinema of the 1960s:Themes and Variations

American Cinema of the 1960s (2008)

Themes and Variations

Dir. Barry Keith Grant

Subject: On Films > Per period

Film Genre:From Iconography to Ideology

Film Genre (2007)

From Iconography to Ideology

by Barry Keith Grant

Subject: Genre > All Genres

> On a related topic:

12690 books listed   •   (c)2024-2025 cinemabooks.info   •