Auteurs and Authorship
A Film Reader
Edited by Barry Keith Grant
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Book Presentation:
Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice.
• Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee
• Features historically important, foundational texts as well as contemporary pieces
• Includes numerous student features, such as a general editor's introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features
• Each essay deliberately focuses across film makers’ oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi
About the Author:
Barry Keith Grant is Professor of Communication, Popular Culture, and Film at Brock University. He is the author or editor of more than a dozen books, including Film Genre: From Iconography to Ideology, Film Genre Reader, The Dread of Difference: Gender and the Horror Film, Five Films by Frederick Wiseman, Voyages of Discovery: The Cinema of Frederick Wiseman and Documenting the Documentary: Close Readings of Documentary Film and Video.
Press Reviews:
"This book is a classroom. One hopes that by reading it, eager young cinephiles may pass through words into the true life of the screen." (Quarterly Review, December 2009)
"Presents an arresting, thoughtful procession of ideas about who makes a movie." Afterimage
"The question of authorship in cinema remains a crucial area of debate. Barry Keith Grant's excellent reader, which brings together most of the important French, British and American material, looks set to become a required text on the subject." Jim Hillier, University of Reading, England
"Without doubt the best collection available on film authorship, which remains the single most challenging issue in film studies and the abiding mystery of cinema. From the groundbreaking polemics of the 1950s and ‘60s to cutting-edge analyses by top contemporary scholars, Auteurs and Authorship examines this endlessly salient topic in a remarkable array of essays that, taken together, provide the most comprehensive, in-depth treatment available." Tom Schatz, University of Texas, Austin
"Deep and fulfilling examination of the theory ... [and] inclusion of virtually every valuable essay on cinema auteurism makes [it] an indispensable book." RogueCinema.com
See the publisher website: Wiley-Blackwell
> From the same author:
Voyages of Discovery (2023)
The Cinema of Frederick Wiseman, revised and expanded edition
Subject: Director > Frederick Wiseman
Comics and Pop Culture (2019)
Adaptation from Panel to Frame
Dir. Barry Keith Grant and Scott Henderson
Notions of Genre (2016)
Writings on Popular Film Before Genre Theory
Dir. Barry Keith Grant and Malisa Kurtz
Subject: Film Analysis
Documenting the Documentary (2013)
Close Readings of Documentary Film and Video, New and Expanded Edition
Dir. Barry Keith Grant and Jeannette Sloniowski
Subject: Genre > Documentary
New Zealand Cinema (2011)
Interpreting the Past
Dir. Alistair Fox, Barry Keith Grant and Hilary Radner
Subject: Countries > New Zealand
Invasion of the Body Snatchers (2010)
Subject: One Film > Invasion of the Body Snatchers
American Cinema of the 1960s (2008)
Themes and Variations
Dir. Barry Keith Grant
Subject: On Films > Per period
Five Films by Frederick Wiseman (2006)
Titicut Follies, High School, Welfare, High School II, Public Housing
Dir. Barry Keith Grant
Subject: Director > Frederick Wiseman
> On a related topic:
Of Trees and Clouds (2020)
Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices
Subject: Theory
The Palgrave Handbook of the Philosophy of Film and Motion Pictures (2019)
Dir. Noel Carroll, Laura T. Di Summa and Shawn Loht
Subject: Theory
Film Authorship in Contemporary Transmedia Culture (2023)
The Paratextual Lives of Asian Auteurs
Subject: Economics
Authorship as Promotional Discourse in the Screen Industries (2022)
Selling Genius
by Leora Hadas
Subject: Economics
The Elusive Auteur (2017)
The Question of Film Authorship Throughout the Age of Cinema
Subject: Film Analysis
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