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Auteurs and Authorship

A Film Reader

Edited by

Type
Essays
Subject
Keywords
authorship
Publishing date
Publisher
Wiley-Blackwell
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover340 pages
8 x 10 inches (20 x 25.5 cm)
ISBN
978-1-4051-5333-1
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Book Presentation:
Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice.

• Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee
• Features historically important, foundational texts as well as contemporary pieces
• Includes numerous student features, such as a general editor's introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features
• Each essay deliberately focuses across film makers’ oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi

About the Author:
Barry Keith Grant is Professor of Communication, Popular Culture, and Film at Brock University. He is the author or editor of more than a dozen books, including Film Genre: From Iconography to Ideology, Film Genre Reader, The Dread of Difference: Gender and the Horror Film, Five Films by Frederick Wiseman, Voyages of Discovery: The Cinema of Frederick Wiseman and Documenting the Documentary: Close Readings of Documentary Film and Video.

Press Reviews:
"This book is a classroom. One hopes that by reading it, eager young cinephiles may pass through words into the true life of the screen." (Quarterly Review, December 2009)

"Presents an arresting, thoughtful procession of ideas about who makes a movie." Afterimage

"The question of authorship in cinema remains a crucial area of debate. Barry Keith Grant's excellent reader, which brings together most of the important French, British and American material, looks set to become a required text on the subject." Jim Hillier, University of Reading, England

"Without doubt the best collection available on film authorship, which remains the single most challenging issue in film studies and the abiding mystery of cinema. From the groundbreaking polemics of the 1950s and ‘60s to cutting-edge analyses by top contemporary scholars, Auteurs and Authorship examines this endlessly salient topic in a remarkable array of essays that, taken together, provide the most comprehensive, in-depth treatment available." Tom Schatz, University of Texas, Austin

"Deep and fulfilling examination of the theory ... [and] inclusion of virtually every valuable essay on cinema auteurism makes [it] an indispensable book." RogueCinema.com

See the

> From the same author:

Ken Russell:Interviews

(2024)

Interviews

Dir.

Subject: Director >

Voyages of Discovery:The Cinema of Frederick Wiseman, revised and expanded edition

(2023)

The Cinema of Frederick Wiseman, revised and expanded edition

by

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Comics and Pop Culture:Adaptation from Panel to Frame

(2019)

Adaptation from Panel to Frame

Dir. and

Subject: Genre >

Notions of Genre:Writings on Popular Film Before Genre Theory

(2016)

Writings on Popular Film Before Genre Theory

Dir. and

Subject:

The Dread of Difference:Gender and the Horror Film

(2015)

Gender and the Horror Film

Dir.

Subject: Genre >

Documenting the Documentary:Close Readings of Documentary Film and Video, New and Expanded Edition

(2013)

Close Readings of Documentary Film and Video, New and Expanded Edition

Dir. and

Subject: Genre >

Shadows of Doubt:Negotiations of Masculinity in American Genre Films

(2010)

Negotiations of Masculinity in American Genre Films

by

Subject:

American Cinema of the 1960s:Themes and Variations

(2008)

Themes and Variations

Dir.

Subject: On Films >

Film Genre:From Iconography to Ideology

(2007)

From Iconography to Ideology

by

Subject: Genre >

Five Films by Frederick Wiseman:Titicut Follies, High School, Welfare, High School II, Public Housing

(2006)

Titicut Follies, High School, Welfare, High School II, Public Housing

Dir.

Subject: Director >

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Of Trees and Clouds:Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices

(2020)

Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices

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Omnibus Films:Theorizing Transauthorial Cinema

(2014)

Theorizing Transauthorial Cinema

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Copyright Vigilantes:Intellectual Property and the Hollywood Superhero

(2024)

Intellectual Property and the Hollywood Superhero

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Film Authorship in Contemporary Transmedia Culture:The Paratextual Lives of Asian Auteurs

(2023)

The Paratextual Lives of Asian Auteurs

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The Elusive Auteur:The Question of Film Authorship Throughout the Age of Cinema

(2017)

The Question of Film Authorship Throughout the Age of Cinema

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