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Horror House Film

Possession, Obsession, Domination, Masculinity

by

Type
Essays
Subject
Genre
Keywords
horror, movie sets
Publishing date
Publisher
Liverpool University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover256 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-83624-491-2
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Book Presentation:
Houses have a long history in horror. They often figure as the locus of hauntings, or play significant allegorical roles as embodiments of their proprietors’ minds. Such houses belong to the spectral Gothic. Horror House Film takes a different approach and analyses a collection of horror films – in different subgenres – in which the house is a solid, massive and often overbearing presence in the lives of the protagonists. These films are about the potentially pernicious effects of houses as material objects of ownership, possession and exploitation. The analyses reveal a strong link between a drive for home-ownership and a drive to possess and exploit other people. They locate this drive within a hegemonic masculinist culture that is closely related to what Erich Fromm has termed the being-is-having mode of human identity formation in contemporary materialistic Western societies, in which a people’s possessions define their selves. The grim and tragic stories told in these horror house films often revolve around the need to possess property as a means of shoring up ontological security, whilst the house owned proves to be no haven but a drain on both socioeconomic and psychological wellbeing.

About the Author:
Evert Jan van Leeuwen is a lecturer in English-language culture at Leiden University. He researches the history and development of English- and Dutch-language Gothic, horror, science fiction and noir fiction.

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