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Fire and Desire
Mixed-Race Movies in the Silent Era
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In the silent era, American cinema was defined by two separate and parallel industries, with white and black companies producing films for their respective, segregated audiences. Jane Gaines’s highly anticipated new book reconsiders the race films of this era with an ambitious historical and theoretical agenda.
Fire and Desire offers a penetrating look at the black independent film movement during the silent period. Gaines traces the profound influence that D. W. Griffith’s racist epic The Birth of a Nation exerted on black filmmakers such as Oscar Micheaux, the director of the newly recovered Within Our Gates. Beginning with What Happened in the Tunnel, a movie that played with race and sex taboos by featuring the first interracial kiss in film, Gaines also explores the cinematic constitution of self and other through surprise encounters: James Baldwin sees himself in the face of Bette Davis, family resemblance is read in Richard S. Robert’s portrait of an interracial family, and black film pioneer George P. Johnson looks back on Micheaux.
Given the impossibility of purity and the co-implication of white and black, Fire and Desire ultimately questions the category of "race movies" itself.
See the publisher website: University of Chicago Press
> From the same author:
Classical Hollywood Narrative (1992)
The Paradigm Wars
Dir. Jane M. Gaines
Subject: Countries > United States
> On a related topic:
The Othering of Women in Silent Film (2023)
Cultural, Historical, and Literary Contexts
Subject: Silent Cinema
Richard E. Norman and Race Filmmaking (2013)
Subject: Director > Richard E. Norman
Forgeries of Memory and Meaning (2007)
Blacks and the Regimes of Race in American Theater and Film before World War II
Subject: Countries > United States
Writing Himself Into History (2000)
Oscar Micheaux, His Silent Films, and His Audiences
by Pearl Bowser and Louise Spence
Subject: Director > Oscar Micheaux
Danish and German Silent Cinema (2025)
Towards a Common Film Culture
Dir. Lars-Martin Sørensen and Casper Tybjerg
Subject: Silent Cinema
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