MENU   

Kim Ki-duk

de

Type
Studies
Sujet
Director
Mots Clés
Kim Ki-Duk
Année d'édition
Editeur
University of Illinois Press
Collection
Contemporary Film Directors
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback161 pages
5 ¼ x 8 ¼ inches (13.5 x 21 cm)
ISBN
978-0-252-07841-5
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labeled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's œuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). Chung argues that the power of Kim's cinema lies precisely in its ability to capture, channel, and convey the raw emotions of protagonists who live on the bottom rungs of Korean society. She provides historical and postcolonial readings of victimization and violence in Kim's cinema, which tackles such socially relevant topics as national division in Wild Animals and The Coast Guard and U.S. military occupation in Address Unknown. She also explores the religious and spiritual themes in Kim's most recent works, which suggest possibilities of reconciliation and transcendence.

Voir le

Voir la Kim Ki-duk sur le site IMDB ...

> Du même auteur :

Cinema under National Reconstruction:State Censorship and South Korea's Cold War Film Culture

(2024)

State Censorship and South Korea's Cold War Film Culture

de

Sujet : Countries >

Movie Minorities:Transnational Rights Advocacy and South Korean Cinema

(2021)

Transnational Rights Advocacy and South Korean Cinema

de et

Sujet : Countries >

Hollywood Diplomacy:Film Regulation, Foreign Relations, and East Asian Representations

(2020)

Film Regulation, Foreign Relations, and East Asian Representations

de

Sujet :

Movie Migrations:Transnational Genre Flows and South Korean Cinema

(2015)

Transnational Genre Flows and South Korean Cinema

de et

Sujet : Countries >

Hollywood Asian:Philip Ahn and the Politics of Cross-Ethnic Performance

(2006)

Philip Ahn and the Politics of Cross-Ethnic Performance

de

Sujet : Actor >

> Sur un thème proche :

Rising Sun, Divided Land:Japanese and South Korean Filmmakers

(2013)

Japanese and South Korean Filmmakers

de

Sujet : Countries >

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info