Hollywood Noir's Women Performers
International Stars
by Julie Grossman and R. Barton Palmer

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Book Presentation:
Hollywood Noir’s Women Performers explores the meaning of performance through an analysis of the unfolding oeuvres of women performers in film noir. The case studies aim to illuminate classic noir films through the lens of performance by women. Shifting the usual emphasis in studies of film noir from genre, character patterns and socio-historical context to performance, each chapter addresses the defining contributions of the women who appeared in these films.
The volume builds on scholarship in recent decades that focuses on the centrality of women in film noir, adding material evidence for that approach in fresh readings of films and Hollywood production practices. Hollywood Noir’s Women Performers not only explores how women dominate in the narrative, style or influence of these films through their dynamic performances, but also considers these women’s distinct positions in Hollywood, their roles in the industry and their multiple and mutually informing portrayals in classic noir.
About the authors:
Julie Grossman is professor of English and Communication at Le Moyne College. Her books include Rethinking the Femme Fatale: Ready for Her Close-Up (2009, 2012); Twin Peaks (with Will Scheibel, 2020); The Femme Fatale (2020); Penny Dreadful and Adaptation: Reanimating and Transforming the Monster (co-edited with Will Scheibel, 2023); and Screening Contemporary Irish Fiction and Drama (co-edited with R. Barton Palmer and Marc C. Conner, 2022). An updated edition of her book Ida Lupino, Director: Her Art and Resilience in Times of Transition (with Therese Grisham) was just published in 2026. She is (with R. Barton Palmer) the founding co-editor of the Palgrave Studies in Adaptation and Visual Culture book series. Her book Hollywood Noir’s Women Performers (with Barton Palmer) will be published in 2026 by EUP.R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood’s Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP’s traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance.
> From the same authors:
Mervyn LeRoy Comes to Town (2025)
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > Mervyn LeRoy
The Literary Films of Richard Brooks (2024)
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Richard Brooks
Alfred Hitchcock and Film Noir (2024)
The Darker Side
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Alfred Hitchcock
Autism in Film and Television (2022)
On the Island
Dir. Murray Pomerance and R. Barton Palmer
Subject: Sociology
The Other Hollywood Renaissance (2020)
Dir. Dominic Lennard, R. Barton Palmer and Murray Pomerance
Subject: Countries > United States
Rule, Britannia! (2019)
The Biopic and British National Identity
Dir. Homer B. Pettey and R. Barton Palmer
Subject: Countries > Great Britain
French Literature on Screen (2019)
Dir. Homer B. Pettey and R. Barton Palmer
Subject: Technique > Adaptation
The Many Cinemas of Michael Curtiz (2018)
Dir. R. Barton Palmer and Murray Pomerance
Subject: Director > Michael Curtiz
Hitchcock's Moral Gaze (2018)
Dir. R. Barton Palmer, Homer B. Pettey and Steven M. Sanders
Subject: Director > Alfred Hitchcock
Ida Lupino, Director (2017)
Her Art and Resilience in Times of Transition
by Therese Grisham and Julie Grossman
Subject: Director > Ida Lupino
Literature, Film, and Their Hideous Progeny (2017)
Adaptation and ElasTEXTity
Subject: Technique > Adaptation
Invented Lives, Imagined Communities (2017)
The Biopic and American National Identity
Dir. William H. Epstein and R. Barton Palmer
Subject: Countries > United States
Cycles, Sequels, Spin-Offs, Remakes, and Reboots (2016)
Multiplicities in Film and Television
Dir. Amanda Ann Klein and R. Barton Palmer
Subject: Economics
Shot on Location (2016)
Postwar American Cinema and the Exploration of Real Place
Subject: Technique > Set Design
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Subject: Theory
George Cukor (2015)
Hollywood Master
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > George Cukor
Michael Mann - Cinema and Television (2014)
Interviews, 1980-2012
by Steven Sanders and R. Barton Palmer
Subject: Director > Michael Mann
The Philosophy of Michael Mann (2014)
Dir. Steven Sanders, Aeon J. Skoble and R. Barton Palmer
Subject: Director > Michael Mann
Hitchcock at the Source (2011)
The Auteur as Adapter
Dir. R. Barton Palmer and David Boyd
Subject: Director > Alfred Hitchcock
The Philosophy of Steven Soderbergh (2011)
Dir. R. Barton Palmer and Steven Sanders
Subject: Director > Steven Soderbergh
Hollywood's Tennessee (2009)
The Williams Films and Postwar America
by R. Barton Palmer and William Robert Bray
Subject: Others persons > Tennessee Williams
After Hitchcock (2006)
Influence, Imitation, And Intertextuality
Dir. David Boyd and R. Barton Palmer
Subject: Director > Alfred Hitchcock
Traditions in World Cinema (2006)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Traditions in World Cinema (2005)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Joseph L. Mankiewicz (2001)
Critical Essays and Guide to Resources With Annotated Bibliography and Filmography
by Cheryl Bray Lower and R. Barton Palmer
Subject: Director > Joseph L. Mankiewicz
> On a related topic:
Screen Sirens Scream! (2009)
Interviews with 20 Actresses from Science Fiction, Horror, Film Noir and Mystery Movies, 1930s to 1960s
by Paul Parla and Charles P. Mitchell
Westerns Women (2004)
Interviews with 50 Leading Ladies of Movie and Television Westerns from the 1930s to the 1960s
by Boyd Magers and Michael G. Fitzgerald