Rule, Britannia!
The Biopic and British National Identity
Edited by Homer B. Pettey and R. Barton Palmer
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Book Presentation:
Assesses how cinematic biographies of key figures reflect and shape what it means to be British.
Winner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language Association
Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre's only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered.
About the authors:
Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. His books include Film Noir and International Noir, both coedited with Palmer. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University. His books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein); Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd); and Hitchcock's Moral Gaze (coedited with Pettey and Steven M. Sanders), all published by SUNY Press.
Press Reviews:
"…Rule, Britannia! offer[s] thought-challenging case studies that discuss a wide range of theoretical questions, opening up a large spectrum of valuable leads for research on both the biopic genre in general and its specificity in British film. " — Cercles
"This exceptional collection offers new ways of looking at these films as films, as well as a fresh approach to British history as a cultural whole. " — Wheeler Winston Dixon
See the publisher website: State University of New York Press
> From the same authors:
Mervyn LeRoy Comes to Town (2025)
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > Mervyn LeRoy
The Literary Films of Richard Brooks (2024)
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Richard Brooks
Alfred Hitchcock and Film Noir (2024)
The Darker Side
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Alfred Hitchcock
Autism in Film and Television (2022)
On the Island
Dir. Murray Pomerance and R. Barton Palmer
Subject: Sociology
The Other Hollywood Renaissance (2020)
Dir. Dominic Lennard, R. Barton Palmer and Murray Pomerance
Subject: Countries > United States
French Literature on Screen (2019)
Dir. Homer B. Pettey and R. Barton Palmer
Subject: Technique > Adaptation
The Many Cinemas of Michael Curtiz (2018)
Dir. R. Barton Palmer and Murray Pomerance
Subject: Director > Michael Curtiz
Hitchcock's Moral Gaze (2018)
Dir. R. Barton Palmer, Homer B. Pettey and Steven M. Sanders
Subject: Director > Alfred Hitchcock
Invented Lives, Imagined Communities (2017)
The Biopic and American National Identity
Dir. William H. Epstein and R. Barton Palmer
Subject: Countries > United States
Cycles, Sequels, Spin-Offs, Remakes, and Reboots (2016)
Multiplicities in Film and Television
Dir. Amanda Ann Klein and R. Barton Palmer
Subject: Economics
Shot on Location (2016)
Postwar American Cinema and the Exploration of Real Place
Subject: Technique > Set Design
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Subject: Theory
George Cukor (2015)
Hollywood Master
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > George Cukor
Michael Mann - Cinema and Television (2014)
Interviews, 1980-2012
by Steven Sanders and R. Barton Palmer
Subject: Director > Michael Mann
The Philosophy of Michael Mann (2014)
Dir. Steven Sanders, Aeon J. Skoble and R. Barton Palmer
Subject: Director > Michael Mann
Hitchcock at the Source (2011)
The Auteur as Adapter
Dir. R. Barton Palmer and David Boyd
Subject: Director > Alfred Hitchcock
The Philosophy of Steven Soderbergh (2011)
Dir. R. Barton Palmer and Steven Sanders
Subject: Director > Steven Soderbergh
Hollywood's Tennessee (2009)
The Williams Films and Postwar America
by R. Barton Palmer and William Robert Bray
Subject: Others persons > Tennessee Williams
After Hitchcock (2006)
Influence, Imitation, And Intertextuality
Dir. David Boyd and R. Barton Palmer
Subject: Director > Alfred Hitchcock
Traditions in World Cinema (2006)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Traditions in World Cinema (2005)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Joseph L. Mankiewicz (2001)
Critical Essays and Guide to Resources With Annotated Bibliography and Filmography
by Cheryl Bray Lower and R. Barton Palmer
Subject: Director > Joseph L. Mankiewicz
> On a related topic:
Beyond Bollywood (2003)
The Cultural Politics of South Asian Diasporic Film
by Jigna Desai
Subject: Countries > South Asia
Adult Themes (2025)
British Cinema and the X Certificate in the Long 1960s
Dir. Anne Etienne, Benjamin Halligan and Christopher Weedman
Subject: Countries > Great Britain
Literature and Sound Film in Mid-Century Britain (2025)
Subject: Countries > Great Britain
Soho on Screen (2025)
Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan Young
Subject: Countries > Great Britain
Killing Children in British Fiction (2025)
Thatcherism to Brexit
by Dominic Dean
Subject: Countries > Great Britain