Books in French are on www.livres-cinema.info
Screening Contemporary Irish Fiction and Drama
Edited by Marc C. Conner, Julie Grossman and R. Barton Palmer
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
In this book, each chapter explores significant Irish texts in their literary, cultural, and historical contexts. With an introduction that establishes the multiple critical contexts for Irish cinema, literature, and their adaptive textual worlds, the volume addresses some of the most popular and important late 20th-Century and 21st Century works that have had an impact on the Irish and global cinema and literary landscape. A remarkable series of acclaimed and profitable domestic productions during the past three decades has accompanied, while chronicling, Ireland’s struggle with self-identity, national consciousness, and cultural expression, such that the story of contemporary Irish cinema is in many ways the story of the young nation’s growth pains and travails. Whereas Irish literature had long stood as the nation’s foremost artistic achievement, it is not too much to say that film now rivals literature as Ireland’s key form of cultural expression. The proliferation ofsuccessful screen versionings of Irish fiction and drama shows how intimately the contemporary Irish cinema is tied to the project of both understanding and complicating (even denying) a national identity that has undergone radical change during the past three decades. This present volume is the first to present a collective accounting of that productive synergy, which has seen so much of contemporary Irish literature transferred to the screen.
About the authors:
Marc C. Conner is the President of Skidmore College in Saratoga Springs, New York, USA, where he is also professor of English. Julie Grossman is Professor of English and Communication and Film Studies at Le Moyne College, USA.R. Barton Palmer is the Calhoun Lemon Professor of Literature emeritus at Clemson University, USA, where he taught from 1995-2019.
Press Reviews:
"A timely collection on screen adaptation that manages to be both wide-ranging in scope but sharply focused on current debates within one of the enduring modes of Irish cinematic production. It offers fresh perspectives on a new generation of film and filmmakers."
―Lance Pettitt, Birkbeck, University of London, UK
See the publisher website: Palgrave MacMillan
> From the same authors:
Mervyn LeRoy Comes to Town (2025)
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > Mervyn LeRoy
The Literary Films of Richard Brooks (2024)
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Richard Brooks
Alfred Hitchcock and Film Noir (2024)
The Darker Side
Dir. R. Barton Palmer and Homer B. Pettey
Subject: Director > Alfred Hitchcock
Autism in Film and Television (2022)
On the Island
Dir. Murray Pomerance and R. Barton Palmer
Subject: Sociology
The Other Hollywood Renaissance (2020)
Dir. Dominic Lennard, R. Barton Palmer and Murray Pomerance
Subject: Countries > United States
Rule, Britannia! (2019)
The Biopic and British National Identity
Dir. Homer B. Pettey and R. Barton Palmer
Subject: Countries > Great Britain
French Literature on Screen (2019)
Dir. Homer B. Pettey and R. Barton Palmer
Subject: Technique > Adaptation
The Many Cinemas of Michael Curtiz (2018)
Dir. R. Barton Palmer and Murray Pomerance
Subject: Director > Michael Curtiz
Hitchcock's Moral Gaze (2018)
Dir. R. Barton Palmer, Homer B. Pettey and Steven M. Sanders
Subject: Director > Alfred Hitchcock
Ida Lupino, Director (2017)
Her Art and Resilience in Times of Transition
by Therese Grisham and Julie Grossman
Subject: Director > Ida Lupino
Literature, Film, and Their Hideous Progeny (2017)
Adaptation and ElasTEXTity
Subject: Technique > Adaptation
Invented Lives, Imagined Communities (2017)
The Biopic and American National Identity
Dir. William H. Epstein and R. Barton Palmer
Subject: Countries > United States
Cycles, Sequels, Spin-Offs, Remakes, and Reboots (2016)
Multiplicities in Film and Television
Dir. Amanda Ann Klein and R. Barton Palmer
Subject: Economics
Shot on Location (2016)
Postwar American Cinema and the Exploration of Real Place
Subject: Technique > Set Design
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Subject: Theory
George Cukor (2015)
Hollywood Master
Dir. Murray Pomerance and R. Barton Palmer
Subject: Director > George Cukor
Michael Mann - Cinema and Television (2014)
Interviews, 1980-2012
by Steven Sanders and R. Barton Palmer
Subject: Director > Michael Mann
The Philosophy of Michael Mann (2014)
Dir. Steven Sanders, Aeon J. Skoble and R. Barton Palmer
Subject: Director > Michael Mann
Hitchcock at the Source (2011)
The Auteur as Adapter
Dir. R. Barton Palmer and David Boyd
Subject: Director > Alfred Hitchcock
The Philosophy of Steven Soderbergh (2011)
Dir. R. Barton Palmer and Steven Sanders
Subject: Director > Steven Soderbergh
Hollywood's Tennessee (2009)
The Williams Films and Postwar America
by R. Barton Palmer and William Robert Bray
Subject: Others persons > Tennessee Williams
After Hitchcock (2006)
Influence, Imitation, And Intertextuality
Dir. David Boyd and R. Barton Palmer
Subject: Director > Alfred Hitchcock
Traditions in World Cinema (2006)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Traditions in World Cinema (2005)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Joseph L. Mankiewicz (2001)
Critical Essays and Guide to Resources With Annotated Bibliography and Filmography
by Cheryl Bray Lower and R. Barton Palmer
Subject: Director > Joseph L. Mankiewicz
> On a related topic:
Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
by James Newlin
Subject: Technique > Adaptation
Fantastic Spaces (2025)
Irish Cinema and the Supernatural
Ireland Through a Critical Lens (2023)
A miscellany of life-writing on politics, culture and film
by Desmond Bell
Gaelic Games on Film (2019)
From silent films to Hollywood hurling, horror and the emergence of Irish cinema
by Seán Crosson
Historical Dictionary of Irish Cinema (2019)
by Roddy Flynn and Tony Tracy
Back
