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Auteurs and Authorship

A Film Reader (livre en anglais)

Sous la direction de Barry Keith Grant

Type
Essais
Sujet
Théorie
Mots Clés
auteur
Année d'édition
2008
Editeur
Wiley-Blackwell
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 340 pages
20 x 25,5 cm
ISBN
978-1-4051-5333-1
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Description de l'ouvrage :
Auteurs and Authorship: A Film Reader offers students an introductory and comprehensive view of perhaps the most central concept in film studies. This unique anthology addresses the aesthetic and historical debates surrounding auteurship while providing author criticism and analysis in practice.

• Examines a number of mainstream and established directors, including John Ford, Alfred Hitchcock, Howard Hawks, Douglas Sirk, Frank Capra, Kathryn Bigelow, and Spike Lee
• Features historically important, foundational texts as well as contemporary pieces
• Includes numerous student features, such as a general editor's introduction, short prefaces to each of the sections, bibliography, alternative tables of contents, and boxed features
• Each essay deliberately focuses across film makers’ oeuvres, rather than on one specific film, to enable lecturers to have flexibility in constructing their syllabi

À propos de l'auteur :
Barry Keith Grant is Professor of Communication, Popular Culture, and Film at Brock University. He is the author or editor of more than a dozen books, including Film Genre: From Iconography to Ideology, Film Genre Reader, The Dread of Difference: Gender and the Horror Film, Five Films by Frederick Wiseman, Voyages of Discovery: The Cinema of Frederick Wiseman and Documenting the Documentary: Close Readings of Documentary Film and Video.

Revue de Presse :
"This book is a classroom. One hopes that by reading it, eager young cinephiles may pass through words into the true life of the screen." (Quarterly Review, December 2009)

"Presents an arresting, thoughtful procession of ideas about who makes a movie." Afterimage

"The question of authorship in cinema remains a crucial area of debate. Barry Keith Grant's excellent reader, which brings together most of the important French, British and American material, looks set to become a required text on the subject." Jim Hillier, University of Reading, England

"Without doubt the best collection available on film authorship, which remains the single most challenging issue in film studies and the abiding mystery of cinema. From the groundbreaking polemics of the 1950s and ‘60s to cutting-edge analyses by top contemporary scholars, Auteurs and Authorship examines this endlessly salient topic in a remarkable array of essays that, taken together, provide the most comprehensive, in-depth treatment available." Tom Schatz, University of Texas, Austin

"Deep and fulfilling examination of the theory ... [and] inclusion of virtually every valuable essay on cinema auteurism makes [it] an indispensable book." RogueCinema.com

Voir le site internet de l'éditeur Wiley-Blackwell

> Du même auteur :

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> Sur un thème proche :

Of Trees and Clouds:Software-Mediated Visions in Documentary and Ethnographic Filmmaking Practices

Of Trees and Clouds (2020)

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Omnibus Films:Theorizing Transauthorial Cinema

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Copyright Vigilantes:Intellectual Property and the Hollywood Superhero

Copyright Vigilantes (2024)

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de Ezra Claverie

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Film Authorship in Contemporary Transmedia Culture:The Paratextual Lives of Asian Auteurs

Film Authorship in Contemporary Transmedia Culture (2023)

The Paratextual Lives of Asian Auteurs

de Wikanda Promkhuntong

Sujet : Economie

The Elusive Auteur:The Question of Film Authorship Throughout the Age of Cinema

The Elusive Auteur (2017)

The Question of Film Authorship Throughout the Age of Cinema

de Barrett Hodsdon

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