Crossover Cinema

Cross-Cultural Film from Production to Reception

Ajouter à ma liste

Sous la direction de Sukhmani Khorana

Type

Studies

Sujet

Sociology

Mots Clés

distribution, national cultures, globalization

Année d'édition

2016

Editeur

Routledge

Collection

Routledge Advances in Film Studies

1ere édition

2013

Langue

anglais

Taille du livre

Format

Paperback • 172 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-138-24325-5

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world.

This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.

À propos de l'auteur :
Sukhmani Khorana is Lecturer at the University of Wollongong, Australia.

Revue de Presse:
"A welcome addition to the literature on ‘world cinema,’ Crossover Cinema offers a new perspective on the cross-cultural cinemas of the new century." Rosalind Galt, University of Sussex, UK

Voir le site internet de l'éditeur Routledge