MENU   

Language Without Borders

English in the Social Imaginary of Hindi Cinema, 1950–2015

by

Type
Studies
Subject
Countries > 
Keywords
India, Hindi cinema, spoken language
Publishing date
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 228 pages
6 x 9 inches (15 x 23 cm)
ISBN
979-8-8558-0819-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Examines how code-switching, code mixing, and accents reveal class relations embedded in Hindi cinema.

Language Without Borders is the first book-length exploration of code-switching, code mixing, and accents in Hindi cinema. Considering political shifts―from socialism to free-market liberalization―and their manifestations across several decades of Hindi cinema, the book examines the visual and aural representations of English/Englishness in popular films, from Shree 420 to English Vinglish,calling attention to social-class relations embedded therein. Informed by multidisciplinary studies on spectatorship, gender relations, parody, globalization, and language and media relations, the book examines code-switching and code mixing to trace the processes by which English is naturalized in India. Significantly, Indian English accents in cinema reveal an unabashed class consciousness, creating the space for an uncritical acceptance of a staged "Indianness" for domestic and overseas audiences. Joining a broad range of scholarly inquiries into the machination of language systems, the book lays bare the harsh realities of social-class relations.

About the Author:
Vaneeta Palecanda is a retired Associate Professor of English who taught at the College of Saint Rose.

See the

> On a related topic:

Bollypolitics:Popular Hindi Cinema and Hindutva

(2026)

Popular Hindi Cinema and Hindutva

by

Subject: Countries >

Bollywood's Corporeal Turn:Aesthetic Response and Diasporic Memory

(2026)

Aesthetic Response and Diasporic Memory

by and

Subject: Countries >

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

(2025)

Poetics and Politics of Genre and Representation

by

Subject: Countries >

Networked Bollywood:How Star Power Globalized Hindi Cinema

(2024)

How Star Power Globalized Hindi Cinema

by

Subject: Countries >

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

(2024)

Empowerment and Agency in Contemporary Indian Cinema

by and

Subject: Countries >

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

(2024)

Production, Representation, and Reception

by

Subject: Countries >

Sirens of Modernity:World Cinema via Bombay

(2022)

World Cinema via Bombay

by

Subject: Countries >

Beyond Bollywood:2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

(2022)

2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

Dir.

Subject: Countries >

Bollywood's New Woman:Liberalization, Liberation, and Contested Bodies

(2021)

Liberalization, Liberation, and Contested Bodies

Dir. and

Subject: Countries >

17412 books listed   •   (c)2024-2026 cinemabooks.info   •     •   Privacy policy
Books in French are on www.livres-cinema.info