The Mind-Game Film

Distributed Agency, Time Travel, and Productive Pathology

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by Thomas Elsaesser

Type

Essays

Subject

Studio > Hollywood

Keywords

Hollywood, psychology, reality, perception

Publishing date

2021

Publisher

Routledge

Language

English

Relative size

Physical desc.

Paperback • 330 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-0-415-96812-6

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Book Presentation:
This book represents the culmination of Thomas Elsaesser’s intense and passionate thinking about the Hollywood mind-game film from the previous two decades.

In order to answer what the mind-game film is, why they exist, and how they function, Elsaesser maps the industrial-institutional challenges and constraints facing Hollywood, and the broader philosophic horizon within which American cinema thrives today. He demonstrates how the ‘Persistence of Hollywood’ continues as it has adapted to include new twists and turns, as well as revisions of past concerns, as film moves through the 21st century. Through examples such as Minority Report, Mulholland Drive, Source Code, and Back to the Future, Elsaesser explores how mind-game films challenge us and play games with our perception of reality, creating skepticism and (self-) doubt. He also highlights the mind-game film's tendency to intervene in a complex fashion in the political moment by questioning the dominant power’s intent to program both body and mind alike.

Prescient and compelling, The Mind-Game Film will appeal to students, scholars, and enthusiasts of media studies, film studies, philosophy, and politics.

About the Author:
Thomas Elsaesser was Professor Emeritus at the University of Amsterdam, the Netherlands. Since 2013 until his passing in December 2019 he was Visiting Professor at Columbia University, USA, and from 2006 to 2012 he was Visiting Professor at Yale University, USA. Among his books as author are European Cinema and Continental Philosophy (2019), Film History as Media Archeology (2016), The Persistence of Hollywood (2012), Film Theory: An Introduction through the Senses (2010, 2015) co-authored with Malte Hagener, European Cinema: Face to Face with Hollywood (2005), Weimar Cinema and After (2000), Fassbinder’s Germany: History, Identity, Subject (1996), and New German Cinema (1989).

See the publisher website: Routledge