Metropolis
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Book Presentation:
This volume explores the cultural phenomenon of Metropolis, its different versions, its changing meanings, and its role as a database of the twentieth century.
About the Author:
Thomas Elsaesser is Professor of Film and Television Studies at the University of Amsterdam. Among his publications are New German Cinema (1989), Early Cinema: Space Frame Narrative (1990), A Second Life (1996) and Fassbinder's Germany (1996).
See the publisher website: BFI Publishing
See Metropolis (1927) on IMDB ...
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> From the same author:
The Mind-Game Film (2021)
Distributed Agency, Time Travel, and Productive Pathology
European Cinema and Continental Philosophy (2018)
Film As Thought Experiment
Film Theory (2015)
An Introduction through the Senses
by Thomas Elsaesser and Malte Hagener
Subject: Theory
German Cinema - Terror and Trauma (2013)
Cultural Memory Since 1945
Harun Farocki (2004)
Working on the Sight-Lines
Dir. Thomas Elsaesser
Subject: Director > Harun Farocki
The Last Great American Picture Show (2004)
New Hollywood Cinema in the 1970s
Dir. Thomas Elsaesser, Noel King and Alexander Horwath
Subject: Countries > United States
Weimar Cinema and After (2000)
Germany's Historical Imaginary
Cinema Futures, Cain, Abel or Cable? (1998)
The Screen Arts in the Digital Age
Dir. Thomas Elsaesser and Kay Hoffmann
Subject: Sociology
> On a related topic:
Fritz Lang's Metropolis (2000)
Cinematic Views of Technology and Fear
Dir. Michael Minden and Holger Bachmann
Subject: One Film > Metropolis
The Strange Case of Dr. Mabuse (2005)
A Study of the Twelve Films and Five Novels
by David Kalat
Subject: One Film > Dr. Mabuse the Gambler
Richard Wagner, Fritz Lang, and the Nibelungen (1999)
The dramaturgy of disavowal
Subject: One Film > Die Nibelungen
From Caligari to Hitler (2019)
A Psychological History of the German Film
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