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Italian National Cinema
1896-1996
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Book Presentation:
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
See the publisher website: Routledge
> On a related topic:
Filming the Nation (2010)
Jung, Film, Neo-Realism and Italian National Identity
Traditions in World Cinema (2006)
Dir. Linda Badley, R. Barton Palmer and Steven Jay Schneider
Scoring Italian Cinema (2025)
Patterns of Collaboration
Dir. Giorgio Biancorosso and Roberto Calabretto
Dreamscapes in Italian Cinema (2019)
Dir. Francesco Pascuzzi and Bryan Cracchiolo
Screening Religions in Italy (2019)
Contemporary Italian Cinema and Television in the Post-Secular Public Sphere
The Transatlantic Gaze (2014)
Italian Cinema, American Film
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