Dreamscapes in Italian Cinema
Sous la direction de Francesco Pascuzzi et Bryan Cracchiolo
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Description de l'ouvrage:
Dreamscapes in Italian Cinema explores different representations of dreams, visions, hallucinations, and hypnagogic states in Italian film culture, covering the works of some of the most significant auteurs in the history of Italian cinema (Fellini, Pasolini, Moretti, Bellocchio, among others). Dreams are discussed both in a filmic context, considering the diegetic and formal techniques employed to construct and represent them, and as allegories or metaphors in a broader cultural, political, and social sense (the film industry itself as the proverbial dream factory, and dreams as hopes, aspirations or altogether parallel universes, for example). The book covers works released over different decades and spanning multiple genres (drama, gothic film, horror, comedy), and it is intended to shed light on a topic that is as suggestive as it is insufficiently studied.
À propos des auteurs :
Francesco Pascuzziis lecturer of scientific and technical writing at Rutgers University.Bryan Cracchiolo is lecturer in Italian and coordinator of Italian studies at SUNY New Paltz.
Voir le site internet de l'éditeur Fairleigh Dickinson University Press
> Des mêmes auteurs :
The Spaces and Places of Horror (2020)
Dir. Francesco Pascuzzi et Sandra Waters
> Sur un thème proche :
The Transatlantic Gaze (2014)
Italian Cinema, American Film
The Celluloid Atlantic (2025)
Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973
Fame Amid the Ruins (2025)
Italian Film Stardom in the Age of Neorealism
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