Italian National Cinema
1896-1996 (livre en anglais)
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Description de l'ouvrage :
From such films as La Dolce Vita and Bicycle Thieves to Cinema Paradiso and Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
> Sur un thème proche :
Filming the Nation (2010)
Jung, Film, Neo-Realism and Italian National Identity
Scoring Italian Cinema (2025)
Patterns of Collaboration
Screening Religions in Italy (2019)
Contemporary Italian Cinema and Television in the Post-Secular Public Sphere
Dreamscapes in Italian Cinema (2019)
Dir. Francesco Pascuzzi et Bryan Cracchiolo
Masculinity and Italian Cinema (2014)
Sexual Politics, Social Conflict and Male Crisis in the 1970s
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