Les livres en français sont sur www.livres-cinema.info
The Imperial Trace
Recent Russian Cinema
de Nancy Condee
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
• Challenges conventional notions of Russian nationhood by uncovering a deeply rooted imperial legacy in post-Soviet cultural production
• Makes a major contribution to theories of empire and national identity, situated in the context of the main debates in political theory, postcolonialism, and cultural studies
• Presents careful and compelling readings of films by Russia's premiere contemporary auteurs
The collapse of the USSR seemed to spell the end of the empire, yet it by no means marked the end of Russia's enduring imperial preoccupations, extending over four and a half centuries since the reign of Ivan IV. Is there such a thing as an imperial trace in Russia's contemporary culture? Condee argues that we cannot make sense of contemporary Russian culture without accounting for its imperial legacy and mapping out the terms of such an analysis. She turns to the instance of contemporary cinema to focus this line of inquiry. Within film (and implicitly other cultural fields as well) do we limit our accounting to narrative evidence-Chechen wars at the periphery, historical costume dramas of court life-or could an imperial trace be sought in other, more embedded ways, in the manner and structure or representation, the conditions of productions, the recurrent preoccupations of its leading filmmakers, the ways in which collective belonging is figured or disfigured? This book organizes these questions around the work of Russia's internationally ranked auteurs of the late Soviet and post-Soviet period: Kira Muratova, Vadim Abdrashitov, Nikita Mikhalkov, Aleksei German, and Aleksandr Sokurov.
À propos de l'auteur :
Nancy Condee, Slavic and Film Studies faculty at the University of Pittsburgh
Revue de Presse:
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Studies in Slavic Languages and Literatures
Voir le site internet de l'éditeur Oxford University Press
> Du même auteur :
Cinemasaurus (2020)
Russian Film in Contemporary Context
Dir. Nancy Condee, Alexander Prokhorov et Elena Prokhorova
Sujet : Countries > Russia / USSR
> Sur un thème proche :
Memory Politics in Contemporary Russia (2020)
Television, Cinema and the State
Sujet : Countries > Russia / USSR
Contemporary Russian Cinema (2016)
Symbols of a New Era
de Vlad Strukov
Sujet : Countries > Russia / USSR
The New Russian Documentary (2025)
Reclaiming Reality in the Age of Authoritarianism
Dir. Masha Shpolberg et Anastasia Kostina
Sujet : Countries > Russia / USSR
Learn Russian through Contemporary Short Film (2024)
Sujet : Countries > Russia / USSR
Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
de Eleanor Rees
Sujet : Countries > Russia / USSR
Soviet Science Fiction Cinema and the Space Age (2023)
Memorable Futures
Sujet : Countries > Russia / USSR
Caught In-Between (2020)
Intermediality in Contemporary Eastern European and Russian Cinema
Dir. Agnes Petho
Sujet : Countries > Russia / USSR
Psychomotor Aesthetics (2020)
Movement and Affect in Modern Literature and Film
Sujet : Countries > Russia / USSR
Retour
