Les livres en français sont sur www.livres-cinema.info
Bipolar Identity
Region, Nation and the Kannada Language Film
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The first comprehensive inquiry into the origin and growth of regional language cinema in India, this volume traces the development of Kannada cinema from the 1940s to the new millennium. Focusing on the role regional language cinema plays in addressing regional identity, the book also articulates the conflict between the Region and the Nation especially at crisis moments.
It explores how its origin in a princely state under indirect British rule had an impact on the shaping of Kannada cinema, and inquiries into the effect of the linguistic reorganization of the states in the 1950s upon regional identity. Exploring the influence of national developments such as the ascendancy of Indira Gandhi in the 1960s on regional identity, the book also includes first-time assessments of the Kannada star Rajkumar as a regional icon and the changing meaning of Bangalore city to the Kannada-speaking public.
À propos de l'auteur :
M.K. Raghavendra is a freelance film critic and scholar living in Bangalore, India. He is the winner of 'National Award for the Best Film Critic--The Swarna Kamal'.
Voir le site internet de l'éditeur Oxford University Press
> Du même auteur :
Philosophical Issues in Indian Cinema (2023)
Approximate Terms and Concepts
Locating World Cinema (2020)
Interpretations of Film as Culture
Seduced by the Familiar (2015)
Narration and Meaning in Indian Popular Cinema
The Politics of Hindi Cinema in the New Millennium (2014)
Bollywood and the Anglophone Indian Nation
> Sur un thème proche :
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra et Dibyakusum Ray
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
The Revolution of Indian Parallel Cinema in the Global South (1968–1995) (2025)
From Feminism to Iconoclasm
de Omar Ahmed
The Female Playback in Bombay Cinema (2025)
Voice, Body, Technology
Retour
