Books in French are on www.livres-cinema.info
The Female Playback in Bombay Cinema
Voice, Body, Technology
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs. Mapping the production, circulation, and reception of the voices of singing stars―notably Lata Mangeshkar and Asha Bhosle―Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.
About the Author:
Shikha Jhingan is associate professor of cinema studies at Jawaharlal Nehru University in New Delhi. Her research focuses on voice, music, and sound in cinema. Her work brings a sound studies perspective to Bollywood films and their intermedial footprints. She has published in journals such as BioScope: South Asian Screen Studies, Feminist Media Histories, South Asian History and Culture, and Studies in South Asian Film and Media and in several book anthologies.
See the publisher website: Wayne State University Press
> On a related topic:
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra and Dibyakusum Ray
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
The Revolution of Indian Parallel Cinema in the Global South (1968–1995) (2025)
From Feminism to Iconoclasm
by Omar Ahmed
Ways of Remembering (2024)
Law, Cinema and Collective Memory in the New India
Back
