MENU   

Latin American Cinema

Essays on Modernity, Gender and National Identity

Edited by and

Type
Essays
Subject
Countries
Keywords
Latin Americans, gender, national cultures
Publishing date
Publisher
McFarland & Co
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback228 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-7864-2004-9
978-0-7864-2004-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Renewed interest in Latin American film industries has opened a host of paths of scholarly exploration. Productions from different countries reflect particular social attitudes, political climates and self-conceptions, and must be considered separately and as a whole. The search for national identity is a key component of Latin American films in a time of decreasing cultural diversity and pressures to westernize. Globalization and falling government support have fueled cross-border collaborations, calling into question the idea of a movie’s “nationality,” and leaving some nations’ film industries on the brink of collapse. Whether thriving or barely surviving, struggling to remain distinct or embracing globalization on its own terms, addressing the government or society, Latin American cinema remains vibrant, offering a wealth of material to scholars of all stripes.

These collected essays explore important elements of Latin American cinema and its associated national film industries. The first section of essays examines the impact of modernization on both Latin American screen images and the industry itself, offering modern and historical perspectives. The second section focuses on filmmakers who deal with issues of gender and sexuality, whether sexual transgression, the role of female characters, or societal attitudes towards sex and nudity. The final section of essays discusses the relationship between national identity and Latin American film industries: how movies are used to create a sense of self; Uruguay’s ongoing identity crisis; and Brazil’s use of Hollywood’s stereotypical depiction of the country to depict itself. Photographs and an annotated bibliography accompany each essay, and an index supplements the text.

About the authors:
Lisa Shaw is a Reader in Portuguese and Brazilian Studies at the University of Liverpool, England.
Stephanie Dennison is a lecturer in Portuguese and Brazilian Studies at the University of Leeds, England.

Press Reviews:
"a superb collection of scholarly essays…well-crafted book…providing fresh insights…in-depth analysis…an important and useful contribution"—A Contra corriente.

See the

> Books with the same or similar title:

> From the same authors:

> On a related topic:

The Cinematic ImagiNation:Indian Popular Films as Social History

(2003)

Indian Popular Films as Social History

by

Subject: Countries >

Viva Hollywood:The Legacy of Latin and Hispanic Artists in American Film

(2022)

The Legacy of Latin and Hispanic Artists in American Film

by

Subject: Countries >

From Latin America to Hollywood:Latino Film Culture in Los Angeles 1967-2017

(2016)

Latino Film Culture in Los Angeles 1967-2017

Collective

Subject: Countries >

Women and New Hollywood:Gender, Creative Labor, and 1970s American Cinema

(2023)

Gender, Creative Labor, and 1970s American Cinema

Dir. and

Subject: Countries >

Transpacific Convergences:Race, Migration, and Japanese American Film Culture before World War II

(2022)

Race, Migration, and Japanese American Film Culture before World War II

by

Subject: Countries >

Invented Lives, Imagined Communities:The Biopic and American National Identity

(2017)

The Biopic and American National Identity

Dir. and

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info