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Remapping World Cinema
Identity, Culture, and Politics in Film
Sous la direction de Stephanie Dennison et Song Hwee Lim
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Description de l'ouvrage:
With films such as Crouching Tiger, Hidden Dragon (2000), The Motorcycle Diaries (2004), Oldboy (2003) and Good Bye Lenin! (2003), the state and popularity of world cinema has rarely been healthier. Remapping World Cinema explores many of the key critical and theoretical approaches and debates, including race, stardom, post-colonialism as well as national cinemas' relationship with Hollywood. Covering a broad scope, the book examines the cinemas of Africa, East Asia, India, Latin, Central and South America as well as the various territories of Europe.
À propos des auteurs :
Stephanie Dennison is senior lecturer and with Song Hwee Lim is a director of the Masters Programme in World Cinema—the first of its kind—at the University of Leeds. Dennison is the author of a number of articles on Brazilian cinema and the author of a book on popular Brazilian cinema (forthcoming). Lim is currently working on Celluloid Comrades: Male Homosexuality in Contemporary Chinese Cinemas.
Voir le site internet de l'éditeur Wallflower Press
> Des mêmes auteurs :
Taiwan Cinema as Soft Power (2022)
Authorship, Transnationality, Historiography
Cinema and Soft Power (2021)
Configuring the National and Transnational in Geo-politics
Dir. Stephanie Dennison et Rachel Dwyer
Sujet : General
Contemporary Hispanic Cinema (2013)
Interrogating the Transnational in Spanish and Latin American Film
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Sujet : Countries > Latin America
Celluloid Comrades (2006)
Representations of Male Homosexuality in Contemporary Chinese Cinemas
Celluloid Comrades (2006)
Representations of Male Homosexuality in Contemporary Chinese Cinemas
Latin American Cinema (2005)
Essays on Modernity, Gender and National Identity
Dir. Lisa Shaw et Stephanie Dennison
Sujet : Countries > United States
> Sur un thème proche :
TCM Imports (2025)
Timeless Favorites and Hidden Gems of World Cinema
Screen Culture in the Global South (2024)
Cinema at the End of the World
Locating World Cinema (2020)
Interpretations of Film as Culture
World Cinema and the Essay Film (2019)
Transnational Perspectives on a Global Practice
Dir. Brenda Hollweg et Igor Krstic
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